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"How Do You Stop" is a song written by Dan Hartman and Charlie Midnight and recorded by James Brown. It appeared on Brown's 1986 album Gravity and was released as a single which charted at number 10 on the US R&B chart. [1] Brown also performs the song on his 1989 album Soul Session Live.
Get On Up: The James Brown Story (Original Motion Picture Soundtrack) is the soundtrack to the 2014 film of the same name directed by Tate Taylor, based on the life of singer James Brown, and is played by Chadwick Boseman in the film.
Less favorable reviews include "Get On Up is a cagey, shapeless James Brown biopic" by Ignatiy Vishnevetsky, who rated the film D+ at The A.V. Club, [51] Several other critics noted key facts and incidents omitted in the film, [52] in articles such as "The Social Activist Side of James Brown You Won't See In Get On Up", [53] "The Great Man ...
A Tampa man nicknamed “Lieutenant Dan” is safe after riding out Hurricane Milton in his sailboat.. In videos shared by journalists on X (formerly known as Twitter) late on Wednesday, Oct. 9 ...
Gravity is the 53rd studio album by American musician James Brown.The album was released on September 15, 1986, by Scotti Bros. Records.It was largely written and produced by Dan Hartman and Charlie Midnight, the authors of the album's previously released hit single "Living in America", which had reached #4 on the Billboard Hot 100 and was prominently featured in the film Rocky IV.
The one-legged, sailboat-dwelling Florida man affectionately nicknamed “Lieutenant Dan” is OK after riding out Hurricane Milton’s wrath in Tampa Bay — despite the mayor insisting he went ...
James Edward Brown (March 22, 1920 – April 11, 1992) was an American film and television actor. [3] He was perhaps best known for playing Lt. Ripley Masters in the American western television series The Adventures of Rin Tin Tin .
In a review of the album's reissue, Brian James from PopMatters felt that In the Jungle Groove deserves a re-release "because the music earns it. Its origins as a quickie cash-in don’t detract from the undeniable power of the grooves unleashed within, nor are the proceedings hurt by the revolving-door lineup of the period."