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Lukes offers this third dimension as a "thorough going critique" of the behavioural focus of the first two dimensions, [9] supplementing and correcting the shortcomings of previous views, allowing the analyst to include both latent and observable conflicts. Lukes claims that a full critique of power should include both subjective interests and ...
tech: the power the Z machine reaches in 1 billionth of a second when it is fired [citation needed] 3 × 10 14: weather: Hurricane Katrina's rate of release of latent heat energy into the air. [48] 3 × 10 14: tech: power reached by the extremely high-power Hercules laser from the University of Michigan. [citation needed] 4.6 × 10 14
Many ideas of dimension can be tested with finite geometry. The simplest instance is PG(3,2), which has Fano planes as its 2-dimensional subspaces. It is an instance of Galois geometry, a study of projective geometry using finite fields. Thus, for any Galois field GF(q), there is a projective space PG(3,q) of three dimensions.
Weber developed a multidimensional approach to social stratification that reflects the interplay among wealth, prestige and power. Weber argued that power can take a variety of forms. A person's power can be shown in the social order through their status, in the economic order through their class, and in the political order through their party.
The dimension of power is energy divided by time. In the International System of Units (SI), the unit of power is the watt (W), which is equal to one joule per second. Other common and traditional measures are horsepower (hp), comparing to the power of a horse; one mechanical horsepower equals about 745.7 watts.
In linear algebra, the n-th symmetric power of a vector space V is the vector subspace of the symmetric algebra of V consisting of degree-n elements (here the product is a tensor product). In algebraic topology , the n -th symmetric power of a topological space X is the quotient space X n / S n {\displaystyle X^{n}/{\mathfrak {S}}_{n}} , as in ...
The 3D tactics cube is a visual tool used to define a tactical space. It incorporates conventional understanding of the third dimension in land combat - as the airspace above terrain - and the urban environment consisting of the three-dimensional solid forms of typical central business district (CBD
Multiple independent timeframes, in which time passes at different rates, have long been a feature of stories. [15] Fantasy writers such as J. R. R. Tolkien and C. S. Lewis have made use of these and other multiple time dimensions, such as those proposed by Dunne, in some of their most well-known stories. [15]