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T.N.T. is the second studio album by Australian hard rock band AC/DC, released only in Australia and New Zealand on 1 December 1975. This was the band's first release with bassist Mark Evans and drummer Phil Rudd, although the last two tracks feature George Young and Tony Currenti, both of whom previously appeared on High Voltage.
In December 1975, Atlantic Records' UK head Phil Carson signed AC/DC to a worldwide deal. The group's first two albums, High Voltage and the harder driving T.N.T., had been hits in their native Australia – the single "It's a Long Way to the Top (If You Wanna Rock 'n' Roll)" peaked at #5 – and now plans were made for the band to tour England in 1976.
It was recorded during the 1978 Powerage tour and contains songs from T.N.T., Dirty Deeds Done Dirt Cheap, Let There Be Rock, and Powerage. It is the last Bon Scott-era AC/DC album produced by Harry Vanda and George Young, who also produced the band's first five studio releases. [4]
AC/DC hasn't played a U.S. tour in nine years, but that changes this spring. ... Tickets for the shows go on sale Dec. 6 at noon local time at acdc.com. ... AC/DC's "Power Up" album, which debuted ...
AC/DC hasn't played a U.S. tour in nine years, but that changes this spring when the legendary rockers return for a stadium run. ... Tickets for the shows go on sale Dec. 6 at noon local time at ...
Verizon made AC/DC albums available for digital download in 2007; [10] for five years the band refused to release their albums via iTunes, as that company allows downloading of individual tracks. [11] Angus Young observed, "We honestly believe the songs on any of our albums belong together.
The Rock & Roll Hall of Fame band has been churning out hard-rock classics for more than 40 years. Ranking: Every AC/DC Album from Worst to Best Jon Hadusek, Robert Ham, Joseph Schafer and Saby ...
It is the first track of the group's second album T.N.T., released only in Australia and New Zealand on 8 December 1975, and was written by Angus Young, Malcolm Young and Bon Scott. The song combines bagpipes with hard rock instrumentation; in the middle section of the song there is a call and response between the bagpipes and guitar. [2]
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