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Srimati Tara Singh (born 10 October 1952) is an Indian writer and poet who writes in Hindi. Since childhood she took special interest in dance and music as well as in writing poems. On several occasions she was awarded prizes and letter of appreciation for her poems and performances in literary debates during school and college career. [1]
The crow (sometimes a raven or vulture) is Shani's Vahana. As a protector of property, Shani is able to repress the thieving tendencies of these birds. Dhumavati, the widow goddess associated with strife and inauspiciousness, is depicted riding a crow or in a horseless chariot bearing an emblem of a crow.
Keshavdas Mishra (Hindi pronunciation: [keːɕəvəd̪ɑːsə miɕrə]; 1555–1617), usually known by the mononym Keshavdas, was an Indian Poet, Writer, Scholar and administrator who was best known for his work Rasikpriya , a pioneering work of the Riti Kaal of Hindi literature. He was patronized by Vir Singh Deo of Orchha.
Important sacred trees are also the object of pilgrimage, one of the most noteworthy being the branch of the Bo tree at Sri Lanka brought thither before the Christian era. The tree spirits will hold sway over the surrounding forest or district, and the animals in the locality are often sacred and must not be harmed. [1]
The Tree of Crows (also known as Raven Tree) is an oil painting by the German Romantic artist Caspar David Friedrich, from 1822.Acquired by the Louvre in 1975 (the institution's first acquisition of a work by the artist, followed by Seaside by Moonlight in 2000), it has been called one of Friedrich's "most compelling paintings."
Hindi literature (Hindi: हिंदी साहित्य, romanized: hindī sāhitya) includes literature in the various Central Indo-Aryan languages, also known as Hindi, some of which have different writing systems. Earliest forms of Hindi literature are attested in poetry of Apabhraṃśa such as Awadhi and Marwari.
She significantly impacted Hindi literature by refining the language and infusing poetry with heartfelt acceptance of Indian philosophy. Her unique blend of emotional intensity, lyrical simplicity, and evocative imagery, along with her contributions as a translator and scholar, solidified her position as a leading figure of the Chhayavad movement.
In his fury, Lomasha cursed him to become a crow. [5] The sage told Garuda that every Treta Yuga, he goes to Ayodhya and stays in the city for five years, watching the child Rama as a crow. Once, Rama tried to catch him with all the antics of an excited child.