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repeated meaningless sounds such as 'bababa' in the middle of words bailaor, bailaora flamenco dancer (male, female), as opposed to 'bailarin', which is any other dancer. baile flamenco dance; other (non-flamenco) types are referred to as 'danza' baile de mantón a dance with a shawl balanceo y vaivén swaying of the body and hips.
Formed like a guitar with in most cases, a figure eight-shaped body and a round sound hole, the Octavina has a shorter neck, often with only 16 frets, though some octavinas may have 18 to 20 frets, like its close relative, the laúd. The instrument is played like the laúd plays, the lower notes in accompaniments and in unison with the bass notes.
The Hot Latin Songs chart (formerly Hot Latin 50 and Hot Latin Tracks), [1] published in Billboard magazine, is a record chart based on Latin music airplay. The data were compiled by the Billboard chart and research department with information from 70 Spanish-language radio stations in the United States and Puerto Rico. [2]
The guitar is a vital instrument to flamenco; it marks the measure of a song, and is frequently used in expressive solos during which the guitarist will improvise short variations called falsetas. Ramón Montoya was the most influential early
Tresillo is a Spanish word meaning "triplet"—three equal notes within the same time span normally occupied by two notes. In its formal usage, [further explanation needed] tresillo refers to a subdivision of the beat that does not normally occur within the given structure. Therefore, it is indicated by the number 3 between the halves of a ...
One string (i.e., in piano music, depressing the soft pedal, which alters and reduces the volume of the sound). For most notes in modern pianos, this results in the hammer striking two strings rather than three. Its counterpart, tre corde (three strings), is the opposite: the soft pedal is to be released. unisono (unis)
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The basic son ensemble of early 20th-century Havana consisted of guitar, tres, claves, bongos, marímbula or botija, and maracas. The tres plays the typical Cuban ostinato figure known as guajeo. The rhythmic pattern of the following generic guajeo is used in many different songs. Note that the first measure consists of all offbeats.