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Audio files of bird calls are useful for identification and this is a fairly long recording of the song. Common species in North America, but exotic to the rest of the world. Recorded Sandbanks Provincial Park, Ontario, Canada -- 2007 May by Mdf. Nominate and support. - Durova Charge! 08:14, 5 August 2008 (UTC)
The song is a prodigal son allegory about a young man (the story's metaphorical "robin") who could not fly and could only walk all the way back to his old home in Missouri, following a life of partying in the big city jazz scene - or the repercussions that happened as a result. During the course of the song, it transpired that he had "met a ...
Although Richard Berry released his original version of the song in 1957, and the song had been popular with local bands in the Northwest following Rockin' Robin Roberts' 1961 single, the mythical Faber College was based on Dartmouth College in the Northeast U.S., so the use of "Louie Louie" was an anachronism.
Calls are sometimes distinctive enough for individual identification even by human researchers in ecological studies. [31] Call of black-capped chickadee (note the call and response with a second more distant chickadee) Over 400 bird species engage in duet calls. [32] In some cases, the duets are so perfectly timed as to appear almost as one call.
Among those 15 additional songs on the second part of “Tortured Poets” is a track called “Robin,” a piano ballad in which Swift draws imagery of animals and alludes to adolescence.
"Konichiwa Bitches" was written and produced by Robyn and Klas Åhlund. It is a pop song, [10] with "girly" "boyish" and "tomboyish" hip hop elements. [11] [12] The song features Robyn rapping over a "simple, ruthlessly catchy beat", [13] that is "laced with some grin-inducing sound effects and laugh-out-loud lyrical turns."
As a stand-up comic, Robin Williams was among the quickest wits to ever work a rowdy comedy club. His mouth worked as fast as his manic mind; audiences sat up just to decipher the multi-pitched ...
Framed is a song written by Jerry Leiber and Mike Stoller. It was originally recorded by The Robins in August, 1954, in Los Angeles and released on Leiber and Stoller's label Spark Records in October of that year as the B side of Loop De Loop Mambo. Jerry Leiber talks about the song, saying, “Another rap took the form of a police drama.