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Sergius and Bacchus which is located in Callinico," to which Pope Leo III (795–816) gave gifts (LP 98.24, 98.78), and the "monastery of Christ’s holy martyrs Sergius and Bacchus called Callinicum" to which Pope Benedict III (855–858) gave silver gifts including two chalices, a paten and incense boat (LP 106.26). Callinicum is a city in Syria.
A religious goods store, also known as a religious bookstore, religious gifts store or religious supplies shop, is a store specializing in supplying materials used in the practice of a particular religious tradition, such as Buddhism, Taoism, Chinese folk religion, Christianity and Islam among other religions.
In ancient Greek religion and myth, Dionysus (/ d aɪ. ə ˈ n aɪ s ə s /; Ancient Greek: Διόνυσος Diónysos) is the god of wine-making, orchards and fruit, vegetation, fertility, festivity, insanity, ritual madness, religious ecstasy, and theatre.
An inscription found on a stone stele (c. 340 BC), found at Delphi, contains a paean to Dionysus, which describes the travels of Dionysus to various locations in Greece where he was honored. [40] From Thebes , where he was born, he first went to Delphi where he displayed his "starry body", and with "Delphian girls" took his "place on the folds ...
The entrance to the Temple of Bacchus in the 1870s Corinthian capitals ornamenting the columns of the Temple of Bacchus in Baalbek. The temple is 66 m long, 35 m wide and 31 m high, making it only slightly smaller than the Temple of Jupiter. [5] The podium on which the temple sits is on an East-West axis.
The Triumph of Bacchus and Ariadne. Prominently displayed in the center panel, the Triumph of Bacchus and Ariadne depicts a both riotous and classically restrained procession which ferries Bacchus and Ariadne to their lovers' bed. Here, the underlying myth is that Bacchus, the god of wine, had gained the love of the abandoned princess, Ariadne.
Bacchus (1496–1497) [1] is a marble sculpture by the Italian High Renaissance sculptor, painter, architect and poet Michelangelo. The statue is somewhat over life-size and represents Bacchus , the Roman god of wine , in a reeling pose suggestive of drunkenness.
The Triumph of Bacchus received a number of rather grand and elaborate idealized treatments in Renaissance art, of which Titian's Bacchus and Ariadne, then in the Spanish royal collection, was an imaginative variant. Usually Bacchus was processing in a chariot drawn by leopards, with a retinue of satyrs and revellers, including his guardian ...