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Artha (/ ˈ ɑːr t ə,-θ ə /; Sanskrit: अर्थ; Pali: Attha, Tamil: பொருள், poruḷ) is one of the four goals or objectives of human life in Hindu traditions. [1] It includes career, skills, health, wealth, prosperity and the means or resources needed for a fulfilling life.
Artha – signifies the "means of life", activities and resources that enables one to be in a state one wants to be in. [20] Artha incorporates wealth, career, activity to make a living, financial security and economic prosperity. The proper pursuit of artha is considered an important aim of human life in Hinduism. [21] [22]
Smriti is a derivative secondary work and is considered less authoritative than Sruti in Hinduism, except in the Mimamsa school of Hindu philosophy. [13] [22] [23] The authority of smriti accepted by orthodox schools, is derived from that of shruti, on which it is based. [24] [25] The Smrti literature is a corpus of diverse varied texts. [13]
Siddhānta (Devanagari: सिद्धान्त lit. ' established end ' [1]) is a Sanskrit term denoting the established and accepted view of any particular school within Indian philosophy; literally "settled opinion or doctrine, dogma, axiom, received or admitted truth; any fixed or established or canonical text-book on any subject" (from siddha, adj. mfn.- accomplished, fulfilled; that ...
The emergence of Karma as a central doctrine of the late Vedic and early Hindu tradition is due in part to the problem of theodicy. Given the inherent goodness of Ṛta and its absolute power over the operation of the universe, the presence of gross inequality and injustice in the world represented a serious religious, philosophical and ethical ...
Gṛhastha is considered to be the most intense of all four stages, where a man or woman pursues all four goals of life, with greater emphasis on first three - Dharma, Artha and Kama. [4] [5] [12] In contrast, Sannyasa is the stage where the individual renounces Artha and Kama, and pursues Moksha with a single minded pursuit. [4] [7]
Hindu art found its first inspiration in the Buddhist art of Mathura. The three Vedic gods Indra , Brahma and Surya were actually first depicted in Buddhist sculpture, as attendants in scenes commemorating the life of the Buddha, such as his Birth, his Descent from the Trāyastriṃśa Heaven , or his retreat in the Indrasala Cave . [ 13 ]
The Bhagavata states that Nārāyaṇa alone was in the beginning, who was the pious of principles of creation, sustenance, and dissolution (also known as the Hindu Trinity of Brahmā, Viṣṇu and Shiva) - the Supreme god, multi-headed, multi-eyed, multi-footed, multi-armed, multi-limbed. This was the Supreme Seed of all creation, subtler ...