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In the case of an image of a saint, the worship would not be latria but rather dulia, while the Blessed Virgin Mary receives hyperdulia. The worship of whatever type, latria, hyperdulia, or dulia, can be considered to go through the icon, image, or statue: "The honor given to an image reaches to the prototype" (St. John Damascene in Summa ³).
Aniconism is the absence of material representations of the natural and supernatural world in various cultures. Most denominations of Christianity have not generally practiced aniconism, or the avoidance or prohibition of these types of images, even dating back to early Christian art and architecture.
Most third-class relics are small pieces of cloth, though in the first millennium oil was popular; the Monza ampullae contained oil collected from lamps burning before the major sites of Christ's life, and some reliquaries had holes for oil to be poured in and out again. Many people call the cloth touched to the bones of saints "ex brandea".
Iconoclasm. Icon of the Triumph of Orthodoxy depicting the "Triumph of Orthodoxy" over iconoclasm under the Byzantine empress Theodora and her son Michael III, late 14th to early 15th century. Iconoclasm (from Greek: εἰκών, eikṓn, 'figure, icon' + κλάω, kláō, 'to break') [ i] is the social belief in the importance of the ...
Religious art. 9th century Byzantine mosaic of the Hagia Sophia showing the image of the Virgin and Child, one of the first post-iconoclastic mosaics. It is set against the original golden background of the 6th century. Religious art is a visual representation of religious ideologies and their relationship with humans.
"People with higher levels of intelligence may be less likely to worship celebrities due to a greater ability to recognize the marketing strategies behind a famous person."
Mary has been one of the major subjects of Western art for centuries. There is an enormous quantity of Marian art in the Catholic Church, covering both devotional subjects such as the Virgin and Child and a range of narrative subjects from the Life of the Virgin, often arranged in cycles. Most medieval painters, and from the Reformation to ...
Muhammad's ascent into the Heavens, a journey known as the Mi'raj, as depicted in a copy of the Bostan of Saadi, 1514. An image from the Houghton Shahnameh ( Metropolitan Museum of Art ), dated 1530 - 1535. A miraj image, reflecting the new, Safavid convention of depicting Muhammad veiled, dated 1539 - 1543.