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Figure drawing by Leonardo da Vinci. A figure drawing is a drawing of the human form in any of its various shapes and postures, using any of the drawing media. The term can also refer to the act of producing such a drawing. The degree of representation may range from highly detailed, anatomically correct renderings to loose and expressive sketches.
Fine-art photography is photography created in line with the vision of the photographer as artist, using photography as a medium for creative expression. The goal of fine-art photography is to express an idea, a message, or an emotion. This stands in contrast to representational photography, such as photojournalism, which provides a documentary ...
Edward Weston. Edward Henry Weston (March 24, 1886 – January 1, 1958) was an American photographer. He has been called "one of the most innovative and influential American photographers" [ 1] and "one of the masters of 20th century photography." [ 2] Over the course of his 40-year career Weston photographed an increasingly expansive set of ...
View from the Window at Le Gras 1826 or 1827, believed to be the earliest surviving camera photograph. [ 1] Original (left) and colorized reoriented enhancement (right). The history of photography began with the discovery of two critical principles: The first is camera obscura image projection, the second is the discovery that some substances ...
A figure study is a drawing or painting of the human body made in preparation for a more composed or finished work; [ 1] or to learn drawing and painting techniques in general and the human figure in particular. By preference, figure studies are done from a live model, but may also include the use of other references [ 2] and the imagination of ...
The nude, as a form of visual art that focuses on the unclothed human figure, is an enduring tradition in Western art. [ 2] It was a preoccupation of Ancient Greek art, and after a semi-dormant period in the Middle Ages returned to a central position with the Renaissance.
With carefully crafted tones of light, this photo of a pepper emphasizes third-dimensional depth while defying conventional interpretations of form. [s 3] See article Larmes: 1930 Man Ray Paris, France The photograph is an extreme close-up of a woman's upturned face with glass droplets placed on her cheeks to imitate tears. [s 1] [s 3] The Hague
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