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The Low Whistle Book. Sin É Publications. ISBN 0-9525305-1-1. Archived from the original on 2006-07-21. Larsen, Grey. "A Guide to Grey Larsen's Notation System for Irish Ornamentation" (PDF). Archived from the original (PDF) on 18 February 2006; McCullough, L.E. (1976). "Historical Notes on the Tinwhistle".
A (keyless) wooden flute. The Irish flute is a simple system, transverse flute which plays a diatonic (Major) scale as the tone holes are successively covered and uncovered. . Most flutes from the Classical era, and some of modern manufacture, include various metal keys or additional tone holes (such as a seventh, "pinky-hole", to access one lower note, typically the seventh degree of the ...
Simple system flute most commonly refers to the type of flute manufactured and favored by classical European musicians during the Classical era.This type of flute is the direct precursor of, and was made obsolete within the art music world by, the introduction of the Boehm system flute.
Vincent Broderick (1920 – 7 August 2008) was an Irish flute and tin whistle player and teacher and composer of Irish music. He was born in the townland of Carramore, Bullaun, near Loughrea in County Galway. He left Galway for Dublin in the early 1950s, where he became an enthusiastic member of the Pipers Club.
McDermott was the subject of a television documentary Cérbh É?Josie McDermott on TG4, first broadcast in December 2009.In this programme, one of a series in which major figures in contemporary traditional music profile and pay homage to a master of their craft from a bygone age, flute player Paul McGrattan traced the life and legacy of McDermott and interviewed those who knew him, including ...
Ludwig van Beethoven: . Serenade for flute, violin and viola in D major, Op. 25; Trio for piano, flute, and bassoon in G major, WoO 37; Pierre Boulez: …explosante-fixe…, various configurations with flute and other instruments (1971–72, 1973–74, 1985, 1991–93)
He began playing tin whistle at age 12 and went on to flute in his early teens inspired by local musicians and the early recordings of Irish music made in America. He received further inspiration from local flute players such as Noel Lenaghan, Michael Clarkson, Sam Murray and Brendan O'Hare.
These include the player's lips controlling the stream of air as it is directed to the edge, without mechanical assistance. Common examples of this are the end-blown ney and the side-blown concert flute. The first attested use of the term fipple is in a comparison between the recorder and the transverse flute by Francis Bacon, published in 1626 ...
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