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The Long Divorce is a 1951 detective novel by the British writer Edmund Crispin, the eighth in his series featuring the Oxford professor and amateur detective Gervase Fen. [1] It was the penultimate novel in the series, with a gap or more than twenty five years before the next entry The Glimpses of the Moon , although a collection of short ...
Part 1 of the manual approaches the process of research and writing. This includes providing "practical advice" to formulate "the right questions, read critically, and build arguments" as well as helping authors draft and revise a paper. [3] Initially added with the seventh edition of the manual, this part is adapted from The Craft of Research ...
Edmund Crispin was the pseudonym of Robert Bruce Montgomery (usually credited as Bruce Montgomery) (2 October 1921 – 15 September 1978), an English crime writer and composer known for his Gervase Fen novels and for his musical scores for the early films in the Carry On series.
The Glimpses of the Moon is a 1977 detective novel by the British writer Edmund Crispin. [1] It was the ninth and last novel in his series featuring Gervase Fen, an Oxford professor and amateur detective. Written from the 1960s onwards [2] on publication it was the first novel in the series to be released since The Long Divorce in 1951.
Crispin's Times obituary of 1978 detected within The Case of the Gilded Fly the influence of his favourite authors John Dickson Carr, Gladys Mitchell and Michael Innes together with – in his own words – "a dash of Evelyn Waugh". The obituarist placed the novel within the "highly improbable but wholly delightful" academic detective genre in ...
The aim of the PRISMA statement is to help authors improve the reporting of systematic reviews and meta-analyses. [3] PRISMA has mainly focused on systematic reviews and meta-analysis of randomized trials, but it can also be used as a basis for reporting reviews of other types of research (e.g., diagnostic studies, observational studies).
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The book provided the source for the famous merry-go-round sequence at the climax of Alfred Hitchcock's Strangers on a Train. [2] All the major elements of the scene – the two men struggling, the accidentally shot attendant, the out-of-control merry-go-round, and the crawling under the moving merry-go-round to disable it – are present in Crispin's novel, [3] though he received no screen ...