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In 1999, Hardy, Steven Grasse, and Michael Malone started Sailor Jerry Ltd. to use Collins' flash designs on products including Sailor Jerry Rum. [ 38 ] [ 39 ] Hardy started licensing his own tattoo-inspired art for a line of clothing in the early 2000s , and subsequently many other products have been sold under his brand. [ 40 ]
Norman Keith Collins, also known as Sailor Jerry, (1911–1973) was one of the most well-known traditional tattoo artists. [4]Amund Dietzel (1890–1974), Norwegian-born artist who began his career as a sailor, before settling in the United States.
Converse shoes with designs based on Sailor Jerry tattoo artwork Ad for Sailor Jerry rum in 2010. Sailor Jerry wanted at least one of three protégés/friends – Ed Hardy, Mike Malone, or Zeke Owen – to take over his shop (or else burn it) when he died. [15] [16] Malone purchased the shop and its contents. [16]
A sailor's forearm tattooed with a rope-and-anchor drawing, against the original sketch of the design; see sailor tattoos. An example of a tattoo design Application of a tattoo to a woman's foot A tattoo is a form of body modification made by inserting tattoo ink , dyes , and/or pigments , either indelible or temporary, into the dermis layer of ...
Cliff Raven Ingram [1] (August 24, 1932 – November 28, 2001) was one of a handful of tattoo artists (along with Sailor Jerry Collins and Don Ed Hardy) who pioneered the adoption of the Japanese tattoo aesthetic in the United States.
August B. "Cap" Coleman (15 October 1884 – 20 October 1973) was an American tattoo artist. Dubbed "The Godfather of American Tattooing", Coleman's tattoo flash designs had a significant influence on his generation of tattooists, and inspired the likes of Franklin Paul Rogers and Sailor Jerry. [2]
Jack Rudy (1954–2025) [1] [better source needed] was an American tattoo artist notable for his development of the black-and-gray style of tattooing, including realistic portraits, and his use of a single needle for fine line work. [2]
Sailor Jerry, who started working as a tattoo artist in the 1930s, mixed D&C dry color pigments (approved for use in drugs and cosmetics) with isopropyl alcohol and benzalkonium chloride. [27] He worked with Bob Palm, a tattoo artist who had studied chemistry, to find pigments that would expand his color range, including by tattooing himself ...