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Bach performed the cantata in Leipzig's main church Nikolaikirche on 25 November 1731. [4] [7] According to Wolff, Bach performed it only this one time, although the 27th Sunday after Trinity occurred one more time during his tenure in Leipzig, in 1742. [5] Bach used the central movement as the basis for the first of his Schübler Chorales, BWV ...
Harrison Birtwistle arranged a number of Bach organ works as Bach Measures, for chamber orchestra (1996) Edward Elgar transcribed Bach's Fantasia and Fugue in C minor BWV 537 for orchestra; Sergei Rachmaninoff made a transcription of the Violin Partita in E major, BWV 1006, including the following movements: prelude, gavotte and gigue.
Bach's cantatas usually require four soloists and a four-part choir, but he also wrote solo cantatas (i.e. for one soloist singer) and dialogue cantatas for two singers. The words of Bach's cantatas, almost always entirely in German, consist mostly of 18th-century poetry, Lutheran hymns and dicta. Hymns were mostly set to their Lutheran chorale ...
Exact dates (e.g. for most cantatas) usually indicate the assumed date of first (public) performance. When the date is followed by an abbreviation in brackets (e.g. JSB for Johann Sebastian Bach) it indicates the date of that person's involvement with the composition as composer, scribe or publisher. 4 Name
BWV 1020 – Sonata in G minor for violin (or flute) and harpsichord (now attributed to Carl Philipp Emanuel Bach – H 542.5) [3] BWV 1021 – Sonata in G major for violin and basso continuo; BWV 1022 – Sonata in F major for violin and harpsichord (doubtful, possibly by C. P. E. Bach) [3] BWV 1023 – Sonata in E minor for violin and basso ...
Christ lag in Todes Banden BWV 4 Chorale cantata by J. S. Bach Soprano part from opening chorus with text in Bach's own hand, St. Thomas Church, Leipzig, 1724/1725 Key E minor Occasion First Day of Easter Chorale " Christ lag in Todes Banden " by Martin Luther Performed 24 April 1707 (1707-04-24) Published 1851 (1851) Duration About 20 minutes Movements 8 Vocal SATB Instrumental Cornetto 3 ...
[4] In movement 2, a violin accompanies the embellished melody of the chorale. Bach included this movement in his Schübler Chorales, but on a text for Advent, "Kommst du nun, Jesu, vom Himmel herunter auf Erden ". [2] In great contrast to C major and G major, the central duet is in E minor. Two obbligato oboes take part in the setting.
An unknown librettist retained the first and 11th stanzas as the outer movements of the cantata. [4] He derived movement 2, a recitative, from stanzas 2 and 3, movement 3, an aria, from stanzas 4 to 6, movement 4, a recitative, from stanzas 7 to 9, and movement 5, an aria, from stanza 10. [3]
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