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Amiri Baraka (born Everett Leroy Jones; October 7, 1934 – January 9, 2014), previously known as LeRoi Jones and Imamu Amear Baraka, [1] was an American writer of poetry, drama, fiction, essays, and music criticism.
The poem sparked the beginning of the Black Arts Movement in poetry. [1] " Black Art" was published in The Liberator in January 1966, and subsequently re-published in numerous anthologies. [ 2 ] [ 3 ] The poem is described as one of Baraka's most expressive political poems, as it uses sharp language, onomatopoeia and violence, yet it is one of ...
Hettie Jones, an award-winning author, publisher and educator who was the first wife and early muse of the author-poet-activist Amiri Baraka and one of the few women in the Beat literary community ...
Playwright Ed Bullins and poet Marvin X had established Black Arts West, and Dingane Joe Goncalves had founded the Journal of Black Poetry (1966). [25] This grouping of Ed Bullins, Dingane Joe Goncalves, LeRoi Jones, Sonia Sanchez, Askia M. Touré, and Marvin X became a major nucleus of Black Arts leadership. [26]
The phrase was taken from the poem, "Black People!" by Amiri Baraka (LeRoi Jones): "The magic words are: Up against the wall, mother fucker, this is a stick up!" This, in turn, was a reference to a phrase "supposedly barked by Newark cops to Negroes under custody."
Baraka's stage play was made into a film in 1967, starring Shirley Knight and Al Freeman Jr. Dutchman was the last play produced by Baraka under his birth name, LeRoi Jones. At the time, he was in the process of divorcing his Jewish wife, Hettie Jones, embracing Black nationalism, and after lamenting the death of Malcolm X in 1965.
Imamu Amiri Baraka, formerly "LeRoi Jones", Reggae or Not! [21] Ted Berrigan, In a Blue River; Robert Bly, The Man in the Black Coat Turns [21] Paul Bowles, Next to Nothing: Collected Poems 1926–1977 [21] Joseph Payne Brennan, Creep To Death; Joseph Brodsky: Verses on the Winter Campaign 1980, translation by Alan Meyers.
Blues People: Negro Music in White America is a seminal study of Afro-American music (and culture generally) by Amiri Baraka, who published it as LeRoi Jones in 1963. [1] In Blues People Baraka explores the possibility that the history of black Americans can be traced through the evolution of their music.