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Kente production can be classified by three versions: authentic kente cloth made by traditional weavers, kente print produced by brands such as Vlisco and Akosombo Textile Ltd, and mass-produced kente pattern typically produced in China for West Africans. Authentic kente cloth is the most expensive, while kente print varies in price depending ...
Adanwomase is also well known for the traditional Kente cloth weaving. Although there are a variety of oral histories concerning the origins of Kente Cloth, historians and scholars agree that Kente Cloth production is an extension of centuries of strip-weaving in West Africa. Strip-weaving has existed in West Africa since the 11th century.
The cloth features 15 stamped symbols, including nsroma (stars), dono ntoasuo (double Dono drums), and diamonds. The patterns were printed using carved calabash stamps and a vegetable-based dye. It has resided in the British Museum since 1818, when it was donated by Thomas E. Bowdich. [9] [10] [11] 1825 Adinkra cloth
Ewe Kente: Kente cloth is also worn by the Ewe,located in Ghana and Togo and Benin Republic. The Ewe, a Gbe speaking group who originated from Nigeria,had a tradition of horizontal loom weaving, adopted the double heddle frame loom style of kente cloth weaving from the Asante with some important differences.
Stripweave is a textile technique in which large numbers of thin strips of cloth are sewn together to produce a finished fabric. Most stripweave is produced in West Africa from handwoven fabric, of which the example best known internationally is the kente cloth of Ghana .
The most popular fancy print is known as the traditional print. Kente—traditionally woven by men. Kente is an informal fabric for anyone who is not a member of the Akan people. For Akans and many Ewes, kente is a formal cloth. Mudcloth—created by making mud drawings on cotton. Tie-dye—made by resist tying cotton then dipping in dye.
However, certain motifs can depend on the artist's abilities and craftmanship, as well as skills taught from older generations. The patterns of Adire are often representations of plants, animals, tools, and conceptual themes. Traditional themes are categorized into geometric, figural, skewmorphic, letters, and celestiomorphic types. [5]
Some cotton or silk patterns on the Kente were designed solely for the Asantehene or king and could only be worn with his permission. The king and the wealthy wore elegant sandals decorated with gold but Edgerton writes that commoners went barefoot except during the rainy season when they wore wooden clogs to keep their feet out of the mud. [ 9 ]
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