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These drums were usually clamped to the bass drum rims or sat in cradles as floor stand drums. The sizes that Krupa chose became the "standard" for many decades and they were 13 × 9″ (mounted) and 16 × 16″ (floor). Later, mounted on three (or, if larger than 16 × 16″, four) legs were attached to the floor tom designs.
A mirror reflecting the image of a vase A first-surface mirror coated with aluminium and enhanced with dielectric coatings. The angle of the incident light (represented by both the light in the mirror and the shadow behind it) exactly matches the angle of reflection (the reflected light shining on the table). 4.5-metre (15 ft)-tall acoustic mirror near Kilnsea Grange, East Yorkshire, UK, from ...
The mirror reflects the upper part of the woman's breasts. The woman's raised right arm covers parts of the mirror image so the viewer cannot see the bottom part of the face. In the mirror reflection the woman does not look at herself in the mirror, but her gaze is directed downwards to the left of the box. There is no eye contact with the viewer.
A floor plan is not a top view or bird's-eye view; it is a measured drawing to scale of the layout of a floor in a building. A top view or bird's-eye view does not show an orthogonally projected plane cut at the typical four foot height above the floor level. A floor plan may show any of the following elements: [3] interior walls and hallways ...
A house of mirrors in the Czech Republic House of mirrors in Carters Steam Fair 2009. A house of mirrors or hall of mirrors is a traditional attraction at funfairs (carnivals) and amusement parks. The basic concept behind a house of mirrors is to be a maze-like puzzle (made out of a myriad of mirrors). [1]
Candelabra used for state occasions at the Belgian court (1960) The first known use of candelabra in English was in 1776, [6] and candelabrum in 1811. [7] The word is originally Latin, where candēlābrum (candela, candle, -b(a) rum, holder) means a "candlestick”, ultimately deriving from candēla, meaning "candle".
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