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A pair of komainu, the "a" on the right, the "um" on the left. Komainu (狛犬), often called lion-dogs in English, are statue pairs of lion-like creatures, which traditionally guard the entrance or gate of the shrine, or placed in front of or within the honden (inner sanctum) of Japanese Shinto shrines.
Shisa (Japanese: シーサー, Hepburn: shīsā, Okinawan: シーサー, romanized: shiisaa) is a traditional Ryukyuan cultural artifact and decoration derived from Chinese guardian lions, often seen in similar pairs, resembling a cross between a lion and a dog, from Okinawan mythology. Shisa are wards, believed to protect from some evils.
The so-called "dogū with palms pressed together" (合掌土偶, gasshō dogū) is a Japanese dogū or clay figurine of the late Jōmon period (c. 2000–1000 BC).Excavated from the Kazahari I Site in Hachinohe, Aomori Prefecture, it is exhibited at the nearby Korekawa Jōmon Kan.
The largest statue in this list and the largest gilt bronze statue in the world, and the main hall of Tōdai-ji, in which it is located, is the largest wooden structure in the world. [100] Nara period, 752. Head is a recast from the Edo period, hands date to the Momoyama period: Gilded bronze Seated Rushana Buddha: 14.868m
The Hollow Dogū (中空土偶, chūkū dogū) is a Japanese dogū or clay figurine of the Late Jōmon period (c. 1500–1300 BC). A chance find from what was to become the Chobonaino Site in Hakodate, Hokkaido, it is exhibited at the Hakodate Jōmon Culture Center.
agyō* (阿形) – A type of statue (of a Niō, komainu, etc.) with its mouth open to pronounce the sound "a", first letter of the Sanskrit alphabet and symbol of the beginning of all things. [1] See also ungyō. Amida Nyorai (阿弥陀如来) – Japanese name of Amitabha, deity worshiped mainly by the Pure Land sect. [2] Anjitsu/Anshitsu ...
The Shakōkidogū (遮光器土偶), or "goggle-eyed dogū ", were created in the Jōmon era, and are so well known that when most Japanese hear the term dogū, this is the image that comes to mind. [ citation needed ] The name shakōki (literally "light-blocking device") comes from the resemblance of the figures' eyes to traditional Inuit snow ...
Jocho's successors, sculptors of the Kei school of Buddhist statues, created realistic and dynamic statues to suit the tastes of samurai, and Japanese Buddhist sculpture reached its peak. Sculptors Unkei, Kaikei, and Tankei gained renown by replacing temples' Buddha statues that had been lost in wars or fires, such as those at Kofuku-ji. [4]
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