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Whitburn, Joel (2004), Joel Whitburn's Hot Dance/Disco 1974-2003, Menomonee Falls, WI: Record Research, ISBN 0-89820-156-X, archived from the original on 2010-03-16; Some weeks may also be found at Billboard magazine courtesy of Google Books: 1980—1984
In the United States, "Funkytown" entered the Billboard Hot 100 on March 29, 1980 and spent four weeks at number one, from May 31 to June 21, 1980. It also topped the Disco Top 60 chart for four non-consecutive weeks [9] and peaked at number two on the Hot Soul Singles chart for four weeks also, from May 24 to June 21, 1980. [13] "Funkytown ...
"Stomp!" is a song released by the Brothers Johnson from their fourth album, Light Up the Night, in early 1980. It reached number one on the Dance singles chart. [3] In the US it reached number one on the R&B singles chart and peaked at number 7 on the Billboard Hot 100 in early 1980. [4]
Nu-disco is a 21st-century dance music genre associated with the renewed interest in 1970s and early 1980s disco, [131] mid-1980s Italo disco, and the synthesizer-heavy Euro disco aesthetics. [132] The moniker appeared in print as early as 2002, and by mid-2008 was used by record shops such as the online retailers Juno and Beatport. [ 133 ]
Michael Jackson had the highest number of top hits at the Billboard Hot 100 chart during the 1980s (9 songs). In addition, Jackson remained the longest at the top of the Billboard Hot 100 chart during the 1980s (27 weeks). Madonna ranked as the most successful female artist of the 1980s, with 7 songs and 15 weeks atop the chart.
By 1980, the disco genre, largely dependent on orchestras, was replaced by a lighter synthpop production, which subsequently fuelled dance music. In the latter half of the 1980s, teen pop experienced its first wave, with bands and artists including Exposé, Debbie Gibson, Tiffany, Belinda Carlisle, New Edition, Taylor Dayne, Stacey Q, The ...
Kano's debut single was the 1980 international hit "I'm Ready", combining elements of 1970s disco, funk and R&B while extensively using synthesizers and percussive handclaps as well as raw-processed and vocoderized vocals.
It was the New York-based disco group's only UK No. 1 single, spending two weeks at the top of the charts from July 26 to August 8, 1980, [1] and was their most successful single on the UK Singles Chart. In their native United States, it failed to get into the Hot 100. [3]
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