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In a window of a traditional type, it is usually left to the discretion of the designer to fill the surrounding areas with borders, floral motifs and canopies. A full-sized cartoon is drawn for every "light" (opening) of the window. A small church window might typically have two lights, with some simple tracery lights above. A large window ...
Stencilled cathedral glass in a leadlight window from a chapel. This type of rolled glass is produced by pouring molten glass onto a metal or graphite table and immediately rolling it into a sheet using a large metal cylinder, similar to rolling out a pie crust. The rolling can be done by hand or machine.
Panel – a part of a window that is constructed as a single piece. Most church windows with the exception of small lancets contain several panels. Diaper – a diamond or lozenge-shaped piece of glass. Many old windows, both ecclesiastical and domestic, are made from glass in a diaper pattern. Many figurative windows have a background of diapers.
When the dazzling 16-foot-high leaded stained- glass window arrived in Canton in 1913, it made front-page news—and postponed the new church’s dedication by a week because of a shipping delay.
Second, as a result, the pointed arches of the windows could entirely fill the upper wall. Two very large rose window entirely filled the upper ends of the north and south transepts. The rebuilt abbey was consecrated in 1281. The design of the Sant-Denis window, created by the radiating stone mullions, later gave the new style its name ...
You are free: to share – to copy, distribute and transmit the work; to remix – to adapt the work; Under the following conditions: attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made.
God the Father - Arise is a stained glass window by Stanisław Wyspiański in the Church of St. Francis of Assisi in Kraków, Poland. From about 1904, the work has bright modern motifs, geometric and natural shapes, heraldic elements.
A leadlight church window, Czech Republic, combines traditional diamond panes with the pale translucent and textured quality of modern so-called "cathedral glass". This domestic leadlighting above the residential entrance of a 19th-century Australian hotel shows a use of opaque glass which allows the name to be visible both by day and night.
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