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The English title derives from famous piano transcriptions made by Myra Hess, in 1926 for piano solo and in 1934 for piano duet, [1] as published by Oxford University Press. Whether played instrumentally or sung in German or English, the chorale is often heard at weddings and during Advent , Christmas , and Easter .
It is the second tune for No. 667, "The day Thou gavest, Lord, is ended" (John Ellerton, 1826–1893) in the 1933 Methodist Hymn Book. In the 1929 Revised Church Hymnary No. 289, (which also incorporates in many editions the Scottish Psalter), it is the third tune for the same hymn. The arrangement and key (A major) is the same in both hymnbooks.
This article refers to the English version. The book was published on the 150th anniversary of the publication of the first LDS hymnbook, compiled by Emma Smith in 1835. Previous hymnbooks used by the church include The Manchester Hymnal (1840), The Psalmody (1889), Songs of Zion (1908), Hymns (1927), and Hymns (1948).
Since the 1950s, sacred and liturgical music has been performed and recorded by many jazz composers and musicians, [4] [1] combining black gospel music and jazz to produce "sacred jazz", similar in religious intent, but differing in gospel's lack of extended instrumental passages, instrumental improvisation, hymn-like structure, and concern ...
The Manchester hymnal; The Latter-day Saints' Psalmody; Songs of Zion; Deseret Sunday School Songs; In 1927, the church's Music Committee decided to combine the best of the first three of these hymnals into one volume. The result was called Latter-day Saint Hymns, though it was commonly called "the green hymnbook". It contained 419 hymns, of ...
I hear music in the air (I hear music in the air) Up above my head (up above my head) I hear music in the air (I hear music in the air) I really do believe (I really do believe) There's a Heaven up there." Each additional verse is the same as the first, the word "music" replaced with another word (such as "singing," "shouting," et cetera).
"Oh Happy Day" is a 1967 gospel music arrangement of the 1755 hymn [1] by clergyman Philip Doddridge. Recorded by the Edwin Hawkins Singers, it became an international hit in 1969, reaching No. 4 on the US Singles Chart, No. 1 in France, Germany, and the Netherlands and No. 2 on the Canadian Singles Chart, UK Singles Chart, and Irish Singles Chart.
The melody is credited to Dorsey, drawn extensively from the 1844 hymn tune, "Maitland". [1] " Maitland" is often attributed to American composer George N. Allen (1812–1877), but the earliest known source (Plymouth Collection, 1855 [2]) shows that Allen was the author/adapter of the text "Must Jesus bear the cross alone," not the composer of the tune, and the tune itself was printed without ...
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related to: songs with lord in the title of the day hymn instrumental piano jazz music youtube