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Project Mausam is a cultural project by the Indian Ministry of Culture and Archaeological Survey of India (ASI) with the Indira Gandhi National Centre for the Arts and the National Museum in New Delhi which aims to connect countries on the Indian Ocean.
Jal Mahal (meaning "Water Palace") is a palace in the middle of the Man Sagar Lake in Jaipur city, the capital of the state of Rajasthan, India. The palace was originally constructed around 1699; the building and the lake around it were later renovated and enlarged in the early 18th century by Maharaja Jai Singh II of Amber .
Project Mausam, Indian cultural and economic project to connect countries on the Indian Ocean Topics referred to by the same term This disambiguation page lists articles associated with the title Mausam .
Jal Bin Machhli Nritya Bin Bijli (transl. Fish without Water, Lightning without Dance) is a 1971 Bollywood romance film directed by V. Shantaram, with Sandhya and Abhijeet as leads, along with Vatsala Deshmukh and Dina Pathak. This was the first Indian film for which all songs were recorded in stereophonic sound. The film, however, had mono ...
Mausam (transl. Season) is a 1975 Indian Hindi-language musical romance film starring Sanjeev Kumar and Sharmila Tagore, and directed by Gulzar. It is loosely based on the 1961 novel, The Judas Tree , by A.J. Cronin .
Jal (transl. Water) is a 2013 Indian Hindi-language drama film set in the Rann of Kutch, India, and follows an overconfident water diviner Bakka who tries to solve the drought problems in his village, but faces unforeseen circumstances when he tries to help a female bird watcher save flamingos.
Dina Pathak (née Gandhi; 4 March 1922 – 11 October 2002) was an Indian actress and director of Gujarati theatre and also a film actor. She was an activist and President of the National Federation of Indian Women (NFIW).
The earliest mention of the jal tarang is found in Vatsyayana's Kamasutra, as playing on musical glasses filled with water. [1] Jal tarang was also mentioned in the medieval Sangeet Parijaat text, which categorized the instrument under Ghan-Vadya (idiophonic instruments in which sound is produced by striking a surface, also called concussion idiophones.)