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Andrea di Bartolo, Way to Calvary, c. 1400.The cluster of halos at the left are the Virgin Mary in front, with the Three Marys. Sebastiano del Piombo, about 1513–14. Christ Carrying the Cross on his way to his crucifixion is an episode included in the Gospel of John, and a very common subject in art, especially in the fourteen Stations of the Cross, sets of which are now found in almost all ...
Chrysostom: " Then that those to whom the love of God is preferred should not be offended thereat, He leads them to a higher doctrine.Nothing is nearer to a man than his soul, and yet He enjoins that this should not only be hated, but that a man should be ready to deliver it up to death, and blood; not to death only, but to a violent and most disgraceful death, namely, the death of the cross ...
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Let none be weary; take your armour against the adversaries in the cause of the Cross itself; set up the faith of the Cross as a trophy against the gainsayers. For when you are going to dispute with unbelievers concerning the Cross of Christ, first make with your hand the sign of Christ's Cross, and the gainsayer will be silenced.
Simon of Cyrene (Hebrew: שמעון , Standard Hebrew Šimʿon, Tiberian Hebrew Šimʿôn; Greek: Σίμων Κυρηναῖος, Simōn Kyrēnaios) was the man compelled by the Romans to carry the cross of Jesus of Nazareth as Jesus was taken to his crucifixion, according to all three Synoptic Gospels: [3] [4]
Pilate's superscription is nailed to the cross above Jesus. Quod scripsi, scripsi (Latin for "What I have written, I have written") is a Latin phrase. It was most famously used by Pontius Pilate in the Bible in response to the Jewish priests who objected to his writing "King of the Jews" on the sign that was hung above Jesus at his Crucifixion.
The painting, Christ Carrying the Cross, had been owned by Sir William Stirling Maxwell (1818–1878), General Archibald Stirling, and Lieutenant Colonel William Stirling. In 1953 it was acquired by Robert Lehman , and in 1975 it was acquired as part of his collection by the Metropolitan Museum of Art in New York.
Héliodore Pisan after Gustave Doré, "The Crucifixion", wood-engraving from La Grande Bible de Tours (1866). It depicts the situation described in Luke 23.. The illustrations for La Grande Bible de Tours are a series of 241 wood-engravings, designed by the French artist, printmaker, and illustrator Gustave Doré (1832–1883) for a new deluxe edition of the 1843 French translation of the ...
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