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Chang Hen Ge (Chinese: 長恨歌; lit. 'Song of Everlasting Regret') is a literary masterpiece from the Tang dynasty by the famous Chinese poet Bai Juyi (772–846). It retells the love story between Emperor Xuanzong of Tang and his favorite concubine Yang Guifei (719–756).
The Silent Ship (Turkish: Sessiz Gemi) is one of the best-known and best-loved poems by Yahya Kemal Beyatlı. [1] [2] [3] It is a poem primarily about death, but also about the feelings of those who love but cannot be together, those who miss someone whom they have given up, and those who regret the absence of their loved ones.
Sonnet 30 starts with Shakespeare mulling over his past failings and sufferings, including his dead friends and that he feels that he hasn't done anything useful. But in the final couplet Shakespeare comments on how thinking about his friend helps him to recover all of the things that he's lost, and it allows him stop mourning over all that has happened in the past.
The Regrets (originally in French Les Regrets) is a collection of poetry by the French Renaissance poet Joachim du Bellay, published in 1558. The 191 sonnets that make up this work are written using alexandrines. These poems express the disappointment he experienced as a result of his travel to Italy from 1553 to 1557.
A number of the poems were reprinted in mid-20th century anthologies, notably two of the most gruesome: 'The Repentance of Gabrino Fondolo, Lord of Cremona', [5] a Browning-esque dramatic monologue about Fondolo's regret, as he awaits execution, at the opportunity he missed of throwing the Pope, the Holy Roman Emperor, and the Doge from the top ...
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Alfred, Lord Tennyson "Tears, Idle Tears" is a lyric poem written in 1847 by Alfred, Lord Tennyson (1809–1892), the Victorian-era English poet. Published as one of the "songs" in his The Princess (1847), it is regarded for the quality of its lyrics.
"The Road Not Taken" is a narrative poem by Robert Frost, first published in the August 1915 issue of the Atlantic Monthly, [1] and later published as the first poem in the 1916 poetry collection, Mountain Interval. Its central theme is the divergence of paths, both literally and figuratively, although its interpretation is noted for being ...