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Tā moko is the permanent marking or tattooing as customarily practised by Māori, the indigenous people of New Zealand. It is one of the five main Polynesian tattoo styles (the other four are Marquesan, Samoan, Tahitian and Hawaiian). [1] Tohunga-tā-moko (tattooists) were considered tapu, or inviolable and sacred. [2]
Toi moko, or mokomokai, are the preserved heads of Māori, the indigenous people of New Zealand, where the faces have been decorated by tā moko tattooing. They became valuable trade items during the Musket Wars of the early 19th century. Many toi moko were taken from their family and homeland as trophies.
The design is not based on any specific moko [27] and was created directly on Tyson's face. [28] Tyson saw the tattoo as representing the Māori, whom he described as a "warrior tribe", and approved of the design, [29] which consists of monochrome spiral shapes above and below his left eye. [30]
Art historian Ngarino Ellis writes that patterns used in Kipa's tā moko "will be based on Kipa's whakairo (carving) practice, with a modern slant, both in the imagery and the ideas articulated within it". [6]: 26 She continues Kipa is keen to break boundaries and challenge the notion of tradition within Māori culture.
New Zealand news website Stuff has described her as being at the "forefront" of the revival of tā moko. [8] She has designed and inked traditional tā moko all over New Zealand, and many customers request her work because she is one of few women who practice the art. [3] [6] [9] She uses modern tools as well as traditional uhi (chisels) carved ...
Her early work was in graphic design and advertising, Paama-Pengelly went into teaching and taught art at secondary schools and at tertiary level. [1] During this time in the early 1990s, she began her artistic engagement with tā moko (traditional Māori tattoo). [5] At this time, it was very unusual for a woman to be involved in this art form.
Marquesan designs distinguish themselves through the use of symbols and consistent artistic renderings of lines, arches and circles, which are uniquely attributed and linked through history to the South Pacific Islands. [7] Boys received their first tattoos in their teens in a ritual setting, and by old age often had tattoos all over their bodies.
Te Awekotuku has researched and written extensively on the traditional and contemporary practices of tā moko (tattoo) in New Zealand. Her 2007 (re-published in 2011) book Mau Moko: the world of Maori tattoo, co-authored with Linda Waimarie Nikora, was the product of a five-year long research project conducted by the Māori and Psychology Research Unit at the University of Waikato, funded by a ...
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