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Concerto for Piano and Orchestra, No. 3 in A major; Concerto for Piano and Orchestra, No. 4 in G minor; Concerto for Piano and Orchestra, No. 5 in D major; Concerto for Piano and Orchestra, No. 6 in B-flat major; Concerto for Piano and Orchestra, No. 7 in A major; Concerto for Piano and Orchestra, No. 8 in C major; Selim Palmgren
In setting the four hymns to music, Vaughan Williams chose poems by Jeremy Taylor, Isaac Watts, Richard Crashaw, and Robert Bridges (a translation from the Greek). The cycle is sometimes called Four Hymns for Tenor and Strings and performed in an orchestrated version with a string orchestra replacing the piano part.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Orchestral, piano based on S.244/14 124 H 4 Piano Concerto No.1: pf orch E ♭ major 1835–56 Orchestral, piano arr. for 2pf as S.650 125 H 6 Piano Concerto No.2: pf orch A major 1849–61 Orchestral, piano based on S.524a; arr. for 2pf as S.651 125a Q 6 Piano Concerto [No.3] pf orch E ♭ major 1835–39 Orchestral, piano
Zahn number of the hymn tune used in the chorale prelude. [18] Description of the Lutheran hymn or tune: 4 Other Works by Bach, other than chorale preludes, using the same hymn tune [19] Description of the related composition
Music for a Prince: Two Pieces for Orchestra (1948) Penguinski (1933) Piano Concerto No. 2 in C, Op. 39 (1925) Serenade for 4 solo violins and string orchestra (1917) Puck's Minuet (1917) Piano Concerto No. 1 in C minor, Op. 4 (1913) Suite for string orchestra (1942) Elegy for viola, string quartet and string orchestra, Op. 15 (1917)
for male chorus and string orchestra with brass ad libitum (or piano) English words translated from the Sanskrit by the composer Choral: 103: 1909: O England, My Country: for unison voices and orchestra (or piano) words by G. K. Menzies Choral: 104: 1909: A Song of Fairies: for female chorus a cappella: Choral: 109: 1910: Christmas Day: Choral ...
The Hymn of Jesus, H. 140, Op. 37, is a sacred work by Gustav Holst scored for two choruses, semi-chorus, and full orchestra. It was written in 1917–1919 and first performed in 1920. It was written in 1917–1919 and first performed in 1920.
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