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Tony Cummings of Cross Rhythms described the track as a "condensed but powerfully building version of the Housefires' "The Way (New Horizon)"." [9] Joshua Andre of 365 Days of Inspiring Media gave a positive opinion of the song, saying "Debut radio single "The Way (New Horizons)", though lyrically a bit cliché, is enjoyable nonetheless, as this energetic guitar led mid-tempo pop melody ...
John Josephus Hicks Jr. (December 21, 1941 – May 10, 2006) was an American jazz pianist, composer, and arranger. He was leader of more than 30 recordings and played as a sideman on more than 300.
also for cello and piano Concertante: 1964: テクスチュアズ: Textures: for piano and orchestra: incorporated into Arc, Part II: Concertante: 1963–1966 1963 1966 1963: 弧（アーク） 第1部
A contrafact is a musical composition built using the chord progression of a pre-existing song, but with a new melody and arrangement. Typically the original tune's progression and song form will be reused but occasionally just a section will be reused in the new composition. The term comes from classical music and was first applied to jazz by ...
Tao was composer-in-residence for the 2009–10 season with Chicago's Music in the Loft concert series. As part of this program, the Brooklyn Friends of Chamber Music commissioned his "String Quartet No. 2" for the Jasper Quartet, which they performed throughout the US [25] [26] After hearing Tao play the premiere of his Three Songs for Piano (2010), the reviewer of The Washington Post called ...
In contrast, a chord is in open harmony (also called open position or open structure [1]) if there is more than an octave between the top and bottom notes. The more general term spacing describes how far apart the notes in a chord are voiced. A triad in close harmony has compact spacing, while one in open harmony has wider spacing.
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
In 1942, Lewis entered the Army and played piano alongside Kenny Clarke, who influenced him to move to New York once their service was over. [10] Lewis moved to New York in 1945 [10] to pursue his musical studies at the Manhattan School of Music and eventually graduated with a master's degree in music in 1953. [4]
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