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"Love Will Find a Way" is a song by Australian pop group Bardot and the third single from their second studio album, Play It Like That (2001). [1] It was written by Ollie Jacobs, Phillip Jacobs, Patrick McMahon, Miki More, and produced by Ollie Jacobs. [2] "Love Will Find a Way" is a mid-tempo pop song with elements of acoustic [1] and country ...
"Sophisticated Lady (She's a Different Lady)" is a 1976 R&B/Soul song recorded by American singer Natalie Cole issued as lead single from her second album Natalie. The song won Cole a second consecutive Grammy Award for Best Female R&B Vocal Performance .
"Love Will Find a Way" is a song by the progressive rock band Yes, from their 1987 album Big Generator. It was released as the first single from that album, reaching number 30 on the Billboard Hot 100 chart in late 1987. [2] It also topped the U.S. Mainstream Rock chart, holding onto the number one spot for three weeks. [2]
"Love Will Find a Way" (1999), a song by Christina Aguilera from Christina Aguilera "Love Will Find a Way" (Bardot song) (2002) "Love Will Find a Way" (Delirious? song) (2008) "Love Will Find a Way" from the operetta The Maid of the Mountains by Harold Fraser-Simson, which was first seen in London in 1917 "Love Will Find a Way", a song by Eubie ...
On the Billboard Hot 100, "Love Will Find a Way" peaked at number 6. [ 3 ] The song received a considerable amount of airplay during the summer of 1978, prompting critic Robert Christgau to say, "Hear David Jenkins sing 'once you get past the pain' fifty times in a day and the pain will be permanent", referring to the lyrics of the chorus.
Sophisticated Ladies opened on Broadway at the Lunt-Fontanne Theatre on March 1, 1981, and closed on January 2, 1983, after 767 performances and fifteen previews. The musical was conceived by Donald McKayle, directed by Michael Smuin, and choreographed by McKayle, Smuin, Henry LeTang, Bruce Heath, and Mercedes Ellington.
Love Will Find a Way, which features vocalist Phyllis Hyman, was Sanders' first release on Arista, and represented a turn toward more commercial music. [5] According to writer Tom Terrell, the album "became a quiet storm classic, sold pretty well, revived Hyman's career and positioned Pharoah as heir-apparent to Grover Washington Jr.'s throne."