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Unlike other conquered territories, the main Phoenician cities were not renamed or refounded by their new Hellenistic leaders, and instead kept their traditional Phoenician names. [5] The Greek language, while incorporated into the territory, never completely replaced the Phoenician language, and the two seemed to coexist within the society.
The Phoenician sanctuary of Kharayeb is located on a hilly plateau at the entrance to the town Kharayeb, which is near Jemjim [1] on the hills overlooking the Mediterranean Sea, and just north of the Leontes River 77 km (48 mi) south of Beirut, Lebanon. [2]
Phoenician art was largely centered on ornamental objects, particularly jewelry, pottery, glassware, and reliefs. Large sculptures were rare; figurines were more common. Phoenician goods have been found from Spain and Morocco to Russia and Iraq; much of what is known about Phoenician art is based on excavations outside Phoenicia proper.
Phoenicia was an ancient Semitic-speaking thalassocratic civilization that originated in the Levant region of the eastern Mediterranean, primarily modern Lebanon. [ 1 ] [ 2 ] At its height between 1100 and 200 BC, Phoenician civilization spread across the Mediterranean, from Cyprus to the Iberian Peninsula .
Polykleitos: The Doryphoros, the summary of the aesthetic idealism of Classicism. The sculpture of Classicism, the period immediately preceding the Hellenistic period, was built on a powerful ethical framework that had its bases in the archaic tradition of Greek society, where the ruling aristocracy had formulated for itself the ideal of arete, a set of virtues that should be cultivated for ...
Hellenistic art is the art of the Hellenistic period generally taken to begin with the death of Alexander the Great in 323 BC and end with the conquest of the Greek world by the Romans, a process well underway by 146 BC, when the Greek mainland was taken, and essentially ending in 30 BC with the conquest of Ptolemaic Egypt following the Battle of Actium.
Remains of the north retaining wall of the Stoa of Eumenes. The Stoa of Eumenes [1] was a Hellenistic colonnade built on the South slope of the Acropolis, Athens and which lay between the Theater of Dionysus and the Odeon of Herodes Atticus The gallery was donated to the city of Athens by the king of Pergamon, Eumenes II (197–159 BC), around 160 BC. [2]
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