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In modern interpretations of traditional Japanese arts and culture, ma is an artistic interpretation of an empty space, often holding as much importance as the rest of an artwork and focusing the viewer on the intention of negative space in an art piece. The concept of space as a positive entity is opposed to the absence of such a principle in ...
A pillar of liminal spaces is the absence of living things, particularly other people, with the implication that the viewer is alone; this lack of presence is "liminal in a temporal way, that occupy a space between use and disuse, past and present, transitioning from one identity to another." [3]
The use of negative space is a key element of artistic composition. The Japanese word "ma" is sometimes used for this concept, for example in garden design. [2] [3] [4] In a composition, the positive space has the more visual weight while the surrounding space - that is less visually important is seen as the negative space.
In most cases, they're abandoned or empty (of people) spaces: offices, streets, corridors, hotel hallways, etc. Liminal spaces gained a lot of popularity in 2019 when a post on 4chan about The ...
Heterotopia is a concept elaborated by philosopher Michel Foucault to describe certain cultural, institutional and discursive spaces that are somehow "other": disturbing, intense, incompatible, contradictory or transforming. Heterotopias are "worlds within worlds": both similar to their surroundings, and contrasting with or upsetting them.
' butterfly ') – Butterflies native to Japan and to Japanese culture. The chōchō is also featured among engimono (above).It is seen as lucky, especially if seen in pairs; if a symbol contains two butterflies dancing around each other, it is a symbol of marital happiness.
Oku (Japanese: 奥) is a spatial theory or concept that pertains to the idea of "inwardness". It is unique to Japan and is an integral part of the urban space formation in the country. [1] The term entails several abstract connotations such as profundity and can be used to describe not only physical but also psychological depth. [1]
Japanese woodblock print showcasing transience, precarious beauty, and the passage of time, thus "mirroring" mono no aware [1] Mono no aware (物の哀れ), [a] lit. ' the pathos of things ', and also translated as ' an empathy toward things ', or ' a sensitivity to ephemera ', is a Japanese idiom for the awareness of impermanence (無常, mujō), or transience of things, and both a transient ...