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Lift Every Voice and Sing at the New York World's Fair. Lift Every Voice and Sing, also known as The Harp, was a plaster sculpture by African-American artist Augusta Savage. It was commissioned for the 1939 New York World's Fair, and displayed in the courtyard of the Pavilion of Contemporary Art during the fair at Flushing Meadow. The sculpture ...
Augusta Savage (born Augusta Christine Fells; February 29, 1892 – March 27, 1962) was an American sculptor associated with the Harlem Renaissance. [2] She was also a teacher whose studio was important to the careers of a generation of artists who would become nationally known.
Augusta Savage House and Studio is a historic home and sculpture studio located at Saugerties in Ulster County, New York, United States. The house is a simple mid-19th century two story, timber-frame gabled-el style Greek Revival dwelling. The sculpture studio is a small, single story, shed roofed building.
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Students at the Harlem Community Art Center (January 1, 1938) Augusta Savage led various art classes in Harlem, and several other art leaders collaborated with the 135th Street Branch of the New York Public Library in establishing community workshops. [2] The Harlem YMCA also held art classes between 1934 and 1935 led by sculptor William Artis. [3]
He was a pupil of Augusta Savage and exhibited with the Harmon Foundation.He was featured in the 1930s film A Study of Negro Artists, along with Savage and other artists associated with the Harlem Renaissance, including Richmond Barthé, James Latimer Allen, Palmer Hayden, Aaron Douglas, William Ellisworth Artis, Lois Mailou Jones, and Georgette Seabrooke.
Augusta Savage, born in Florida in 1892, was a culture, advocate, and teacher during the Harlem Renaissance who put black everyday people at the forefront of her works. In 1932, Savage founded the Savage Studio of Arts and Crafts, providing free art classes in painting, printmaking, and sculpting.
The 306 Group were a collective of African American artists who worked and socialized together in Harlem, New York City in the 1930s. [1] The name of the group was derived from the address of a studio space, 306 W. 141st Street, used by two of the artists, Charles Alston and Henry Bannarn. Many of these artists also worked with the Federal Art ...