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Fake or Fortune? is a BBC One documentary television series which examines the provenance and attribution of notable artworks. [1] Since the first series aired in 2011, Fake or Fortune? has drawn audiences of up to 5 million viewers in the UK, [2] the highest for an arts show in that country.
Fake news websites are those which intentionally, but not necessarily solely, publish hoaxes and disinformation for purposes other than news satire. Some of these sites use homograph spoofing attacks , typosquatting and other deceptive strategies similar to those used in phishing attacks to resemble genuine news outlets.
The painting was featured in the second episode of the BBC TV programme, Fake or Fortune? [4] Mr. Mould took it to New York to be sold by Sotheby's. [4] They confirmed the attribution and valued it at over $100,000. [4] It was included in their sale on 21 May 2009. [4]
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In 2011 Burnstock was member of a team that confirmed in the BBC One television series Fake or Fortune? that the painting The Procuress in the Courtauld's collection – a version of a 1622 work by Dirck van Baburen now in the Museum of Fine Arts, Boston – is an Oil paint-Bakelite forgery by Han van Meegeren made in the 1930s or 1940s.
Philip Jonathan Clifford Mould OBE (born March 1960) is an English art dealer, London gallery owner, art historian, writer and broadcaster. [1] He has made a number of major art discoveries, including works of Thomas Gainsborough, Anthony Van Dyck and Thomas Lawrence.
The largest is privately owned, but is sometimes exhibited. One of the smaller works (identified in Vuillard's notes as The Cafe) was featured on an episode of the BBC television programme Fake or Fortune? which first broadcast on 19 January 2014. [1] The location of the third (called The Oysters in Vuillard's notes) is currently unknown.
As part of the Fake or Fortune episode, the work was presented to another Roberts expert, Mary Eagle of the Art Gallery of New South Wales. Although she noted some concerns with elements of the painting, she determined that it was indeed an early work by Roberts.