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Nimbus 5 (also called Nimbus E or Nimbus V) was a meteorological satellite for the research and development of sensing technology. It was the fifth successful launch in a series of the Nimbus program. The objective of Nimbus 5 was to test and evaluate advanced sensing technology, and to provide improved photographs of cloud formations. [3]
Jump5 was an American Christian teen pop group active from 1999 until 2007. [1] The group was made up of five members from Nashville: Brandon and Brittany Hargest, Chris Fedun, Lesley Moore, and Libby Hodges.
In 2001 a new holding company was established, Wyastone Estate which was the umbrella over Nimbus Records, Nimbus Disc and Print, Nimbus Music Publishing, Wyastone CD Distribution and Wyastone Business Park. In 2004 Wyastone Estate opened a short run CD manufacturing plant. This enabled Nimbus Records to continue adding new titles to the ...
Nimbus Records NI 5276 1991 Raga Shuddha Todi Nimbus Records 1994 Todi, Ahir Lalit, Panchamkauns (CD, Album) Raga Records RAGA-219 1998 Raga Yaman / Raga Shuddha Todi (2xCD, Album) Nimbus Records NI 7047/8 2000 Marwa, Bageshree (CD, Album) Raga Records RAGA-222 2001 Z.M. Dagar* & Z.F. Dagar* - Raag Malkauns, Bombay 1968 (CD) Country & Eastern
Rushing said that his first time singing in front of an audience was in 1924. He was playing piano at a club when the featured singer, Carlyn Williams, invited him to do a vocal. "I got out there and broke it up. I was a singer from then on," he said. [5] Rushing was a powerful singer who had a range from baritone to tenor.
Hymn tune descants are counter-melodies, generally at a higher pitch than the main melody. Typically they are sung in the final or penultimate verse of a hymn. [9]Although the English Hymnal of 1906 did not include descants, this influential hymnal, whose music editor was Ralph Vaughan Williams, served as a source of tunes for which the earliest known hymn tune descants were published.
Thomas Joseph Tedesco (July 3, 1930 – November 10, 1997) was an American guitarist and studio musician in Los Angeles and Hollywood. [1] He was part of the loose collective of the area's leading session musicians later popularly known as The Wrecking Crew, who played on thousands of studio recordings in the 1960s and 1970s, including several hundred Top 40 hits.
They did appear on local radio and sing for film soundtracks, but it was not until they went into the Cocoanut Grove at the Ambassador Hotel in July 1930 “that the action picked up a little,” to quote Crosby. Singing with the Gus Arnheim Orchestra, Crosby's solos began to steal the show, while the Rhythm Boys act gradually became redundant. [6]