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This included Netotiliztli, which had symbolic, spiritual choreography. Netotiliztli, which loosely translates to "expressed by dance," was a communicative dance of worship and rejoice practiced by the Mexica. [6] It was performed by dancers, who could be any member of society, as all members of Nahua society were educated in song and dance.
Dances and dancing of this kind is seen as opportunity to develop participants' spiritual awareness, hand-eye-body coordination, and competency in harmonizing with others through dance. Many dances are choreographed with movements, steps, and gestures encouraging dancers to explore for deeper mystical meanings of the dance. [6]
The Balinese Sacred Dance Sanghyang Dedari involves girls being possessed by hyang, Bali, Indonesia. The theologian W. O. E. Oesterley proposed in 1923 that sacred dance had several purposes, the most important being to honour supernatural powers; the other purposes were to "show off" before the powers; to unite the dancer with a supernatural power, as in the dances for the Greek goddesses ...
Physically, this state may include various and unexpected movements, agitation, and all types of dancing. [1] Another state that people hope to reach through sama' is khamra, which means "spiritual drunkenness". Ultimately, people hope to achieve the unveiling of mysteries and gain spiritual knowledge through wajd. [10]
Apache Crown Dance or Gaan Dance (also called Mountain Spirit, Crown Dance, Devil Dance) is an Apache ceremonial dance that is intended to protect the community from disease and enemies. Dancers became "the embodiment of the Mountain Spirits (the Gaan)"; they wear special masks and wands during the dance.
The damaru is known as a power drum, and when played, it is believed to generate spiritual energy. [citation needed] It is associated with the Hindu deity Shiva. It is believed that Sanskrit language was recognized by the drumbeats of the damaru (see Shiva Sutra for the sounds), and his performance of the cosmic dance of tandava. The damaru is ...
The dancing peacock, ka-daung (Burmese: ကဒေါင်း) was used as the symbol of the Burmese monarch. During the period of Konbaung Dynasty, the dancing peacock on a red sun is charged on the State seal and the national flag. It was also stamped on the highest denominator coins minted by the Konbaung dynasty.
Traditional and ritual Kandyan dance is still taught in some village dance schools like Madyama Lanka Nritya Mandalaya, Tittapajjala kalayatanaya in Kandy area. From about the 1920s, artists such as George Keyt , Harold Peiris , Lionel Wendt and John de Silva also helped to popularise the dance form with their support of contemporary masters ...
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