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August Malmström's Dancing Fairies is a widely recognised work in its home country. Malmström, who was a professor at the Royal Swedish Academy of Arts, was one of the Swedish artists who aspired to create a national Swedish art. He used themes both from Norse mythology and folklore, and his images often depicted fairies and other spirits of ...
Dances and dancing of this kind is seen as opportunity to develop participants' spiritual awareness, hand-eye-body coordination, and competency in harmonizing with others through dance. Many dances are choreographed with movements, steps, and gestures encouraging dancers to explore for deeper mystical meanings of the dance. [6]
The Balinese Sacred Dance Sanghyang Dedari involves girls being possessed by hyang, Bali, Indonesia. The theologian W. O. E. Oesterley proposed in 1923 that sacred dance had several purposes, the most important being to honour supernatural powers; the other purposes were to "show off" before the powers; to unite the dancer with a supernatural power, as in the dances for the Greek goddesses ...
Dihosana is a traditional dance by Kalanga people or Ikalanga people which existed for a long period of time. Dihosana involves the invitation of ancestors through trance to pray for rain. It is a rain making dance. [1] Dihosana is a dance heritage which has been inherited from the fore fathers by those practising it.
Spirit photography (also called ghost photography) is a type of photography whose primary goal is to capture images of ghosts and other spiritual entities, especially in ghost hunting. It dates back to the late 19th century.
Whatever the origins of Shiva's dance, it became in time the clearest image of the activity of God which any art or religion can boast of." - Ananda Coomaraswamy [9] The 108 Karanas of Tandava depicted in Nataraja sculptures. The dance is described as a pictorial allegory of the five principle manifestations of eternal energy: [9]
The ecstatic Kouretes dancing around the infant Zeus, depicted by Jane Ellen Harrison, 1912. Little is known directly of ecstatic dance in ancient times. However, Greek mythology does have several stories of the Maenads; the maenads were intoxicated female worshippers of the Greek god of wine, Dionysus, known for their "ecstatic revelations and frenzied dancing".
Traditional and ritual Kandyan dance is still taught in some village dance schools like Madyama Lanka Nritya Mandalaya, Tittapajjala kalayatanaya in Kandy area. From about the 1920s, artists such as George Keyt , Harold Peiris , Lionel Wendt and John de Silva also helped to popularise the dance form with their support of contemporary masters ...
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