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Out of the danzón-mambo came both the mambo and the cha-cha-chá. The mambo would subsequently become a genre played mainly by American-style big bands, and as such, did not pose a threat to the danzón-mambo. But, in the face of the sudden overwhelming popularity of the cha-cha-chá in the 1950s, the danzón-mambo began to disappear.
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Arcaño y sus Maravillas was a Cuban charanga founded in 1937 by flautist Antonio Arcaño.Until its dissolution in 1958, it was one of the most popular and prolific danzón orchestras in Cuba, particularly due to the development of the danzón-mambo by its two main composers and musicians: Orestes López (piano, cello, bass) and his brother Israel López "Cachao" (bass). [1]
Contradanza itself spawned a series of ballroom dances between the 19th and 20th centuries, including the danzón, mambo and cha-cha-cha. Rural dances of European origin, such as the zapateo and styles associated with punto guajiro also became established by the 19th century, and in the 20th century son became very popular.
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Mambo is a genre of Cuban dance music pioneered by the charanga Arcaño y sus Maravillas in the late 1930s and later popularized in the big band style by Pérez Prado.It originated as a syncopated form of the danzón, known as danzón-mambo, with a final, improvised section, which incorporated the guajeos typical of son cubano (also known as montunos).
Mambo dancers at the ITESM Campus Ciudad de Mexico. Mambo is a Latin dance of Cuba which was developed in the 1940s when the music genre of the same name became popular throughout Latin America. The original ballroom dance which emerged in Cuba and Mexico was related to the danzón, albeit faster and less rigid.
Charanga is a traditional ensemble that plays Cuban dance music.They made Cuban dance music popular in the 1940s and their music consisted of heavily son-influenced material, performed on European instruments such as violin and flute by a Charanga orchestra.