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Cloud Atlas is a 2012 epic science fiction film written and directed by the Wachowskis and Tom Tykwer. [8] Based on the 2004 novel by David Mitchell, it has multiple plots occurring during six eras and features an ensemble cast who perform multiple roles across these time periods.
Cloud Atlas, published in 2004, is the third novel by British author David Mitchell.The book combines metafiction, historical fiction, contemporary fiction and science fiction, with interconnected nested stories that take the reader from the remote South Pacific in the 19th century to the island of Hawaii in a distant post-apocalyptic future.
Atlas was released by Netflix on May 24, 2024. [9] The film debuted at number one on Netflix's most popular English films list with 28.2 million views (or 56.3 million viewing hours), making it the most watched title for the week (May 20–26). [5] [10] Atlas reached Netflix's Top 10 list in 93 countries [11] and was placed at number one in 71 ...
The song has been frequently used in a number of media, including commercials, movies, trailers (notably Cloud Atlas and Kerbal Space Program 2), and television shows (including Top Gear and The Grand Tour). In 2015, it charted for several weeks in France. [2]
His first major role was as Jude in the musical romance drama film Across the Universe (2007). He played the male lead role of Ben Campbell in 21 (2008), Gavin Kossef in Crossing Over (2009), The Way Back (2010), and co-starred in the epic science fiction film Cloud Atlas (2012).
Bae Doona (Korean: 배두나; born October 11, 1979), [2] anglicized as Doona Bae, is a South Korean actress and photographer.She became known outside Korea for her roles as a political activist in Park Chan-wook's Sympathy for Mr. Vengeance (2002), archer Park Nam-joo in Bong Joon-ho's The Host (2006), and as the doll in Hirokazu Kore-eda's Air Doll (2009). [3]
Cloud Atlas (Original Motion Picture Soundtrack) is the soundtrack to the 2012 film Cloud Atlas directed by the Wachowskis and Tom Tykwer, who co-composed the score with Reinhold Heil and Johnny Klimek. The film contains approximately two hours of original music.
This chapter consists of three interweaving narrations. Eiji finds a job at the lost property office of a subway station. His boss, Mr. Aoyama, is worried that a restructuring could cost him a job; he becomes paranoid, accuses Eiji of conspiring against him, kidnaps a railway manager and finally kills himself.