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  2. Nursery (room) - Wikipedia

    en.wikipedia.org/wiki/Nursery_(room)

    Hermann Muthesius suggested covering the nursery walls with wood panels or washable paint, for hygienic reasons. [ 1 ] In Edwardian times, for the wealthy and mid-tier classes, a nursery was a suite of rooms at the top of a house, including the night nursery, where the children slept, and a day nursery, where they ate and played, or a ...

  3. Victorian decorative arts - Wikipedia

    en.wikipedia.org/wiki/Victorian_decorative_arts

    The choice of paint color on the walls in Victorian homes was said to be based on the use of the room. Hallways that were in the entry hall and the stair halls were painted a somber gray so as not to compete with the surrounding rooms. Most people marbleized the walls or the woodwork.

  4. Two Girls in a Yellow and Red Room - Wikipedia

    en.wikipedia.org/wiki/Two_Girls_in_a_Yellow_and...

    Deux fillettes, fond jaune et rouge (Two Girls in a Yellow and Red Interior) (1947), oil on canvas, 61 x 49.8 cm (24 x 19 5/8 inches) is a painting by Henri Matisse in the collection of the Barnes Foundation, Merion, Pennsylvania. [1] Albert Barnes became one of Matisse's most important patrons.

  5. Get lifestyle news, with the latest style articles, fashion news, recipes, home features, videos and much more for your daily life from AOL.

  6. History of painting - Wikipedia

    en.wikipedia.org/wiki/History_of_painting

    Egyptian wall painting and decorative painting is often graphic, sometimes more symbolic than realistic. Egyptian painting depicts figures in bold outline and flat silhouette, in which symmetry is a constant characteristic. Egyptian painting has close connection with its written language – called Egyptian hieroglyphs. Painted symbols are ...

  7. Art Nouveau - Wikipedia

    en.wikipedia.org/wiki/Art_Nouveau

    It was most widely used in interior design, graphic arts, furniture, glass art, textiles, ceramics, jewellery and metal work. The style responded to leading 19th century theoreticians, such as French architect Eugène-Emmanuel Viollet-le-Duc (1814–1879) and British art critic John Ruskin (1819–1900).

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