Search results
Results from the WOW.Com Content Network
The Denial of Saint Peter by Caravaggio Flemish painting: Denial of Saint Peter by Gerard Seghers The Denial of St Peter by Gerard van Honthorst (1622–24). The prediction, made by Jesus during the Last Supper that Peter would deny and disown him, appears in the Gospel of Matthew 26:33–35, the Gospel of Mark 14:29–31, the Gospel of Luke 22:33–34 and the Gospel of John 13:36–38.
The Lagrime di San Pietro is probably the most famous set of madrigali spirituali ever written. Although sacred madrigals were a small subset of the total output of madrigals, this set by Lassus is often considered by scholars to be one of the highest achievements of Renaissance polyphony, and appeared at the end of an age: within 10 years of its composition, the traditional stile antico had ...
The apostle Peter has gone after Jesus, where a servant woman had recognised him as one of Jesus's followers. Peter in a white robe gestures his denial, as two armed guards observe to the left. In the background, Christ looks over his shoulder as he is led away to Pilate's court. [1] The painting measures 154 cm × 169 cm (61 in × 67 in).
The painting depicts a scene from the Denial of Peter as specifically recounted in the Gospel of Luke chapter 22: "And when they had kindled a fire in the midst of the hall, and were set down together, Peter sat down among them. But a certain maid beheld him as he sat by the fire, and earnestly looked upon him, and said, This man was also with him.
Battistello Caracciolo, The Liberation of St Peter, oil on canvas, Church of the Pio Monte della Misericordia (Naples) According to the account in the Gospels (Matthew 26:69–75; Mark 14:66–72; Luke 22:55–62; John 18:17–18, 25–27), when Christ was arrested Peter followed him into the courtyard "to Annas, who was the father-in-law of Caiaphas, the high priest that year" (following John ...
The Liberation of Saint Peter is an oil painting on canvas of 1665–1667 by Bartolomé Esteban Murillo, depicting the scene of the liberation of Peter from Acts 12:5–17. It is now in the Hermitage Museum in Saint Petersburg.
Papyrus 72 is the designation used by textual critics of the New Testament to describe portions of the so-called Bodmer Miscellaneous codex (Papyrus Bodmer VII-VIII), namely the letters of Jude, 1 Peter, and 2 Peter. These three books are collectively designated as 𝔓 72 in the Gregory-Aland numbering of New Testament manuscripts. These books ...
[3] This sorrow of soul is not merely speculative sorrow for wrong done, remorse of conscience, or a resolve to amend; it is a real pain and bitterness of soul together with a hatred and horror for sin committed; and this hatred for sin leads to the resolve to sin no more. The early Christian writers in speaking of the nature of contrition ...