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The Denial of Saint Peter (La Negazione di Pietro) is a painting finished around 1610 by the Italian painter Caravaggio. It depicts Peter denying Jesus after Jesus was arrested. The painting is housed in the Metropolitan Museum of Art in New York City .
The Denial of Saint Peter by Caravaggio Flemish painting: Denial of Saint Peter by Gerard Seghers The Denial of St Peter by Gerard van Honthorst (1622–24). The prediction, made by Jesus during the Last Supper that Peter would deny and disown him, appears in the Gospel of Matthew 26:33–35, the Gospel of Mark 14:29–31, the Gospel of Luke 22:33–34 and the Gospel of John 13:36–38.
The Denial of Peter is a 1660 painting by Rembrandt, now in the Rijksmuseum in Amsterdam.It depicts the denial of Peter, an event in the Passion of Jesus.. After the Last Supper, Jesus has been arrested, and taken to the house of the high priest Caiaphas for trial by the Sanhedrin.
The Denial of Saint Peter [3] [4] is a painting by Hendrick ter Brugghen, a member of the Dutch Caravaggisti, depicting Saint Peter's thrice denial of Christ as recounted in all four Gospels. It is thought to have been painted after 1625, and thus in the last three years of Ter Brugghen's life; he died in 1629.
The Denial of Saint Peter, by Caravaggio, c. 1610. All four canonical gospels recount that, during the Last Supper, Jesus foretold that Peter would deny him three times before the following cockcrow ("before the cock crows twice" in Mark's account). The three Synoptics and John describe the three denials as follows:
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The theme of the Denial of Saint Peter seems to have been particularly dear to him as at least 10 versions by his hand are known. [13] The theme lent itself easily to genre treatment. Seghers was mainly interested in depicting people of flesh and blood, preferably in a moment of crisis which allowed the artist to paint their various facial ...
The Denial of Saint Peter is a 1650 painting of the Denial of Peter by Georges de La Tour, possibly with some assistance from the painter's son Étienne. [1] It was signed and dated by the senior artist. In 1810 it was acquired from François Cacault by the musée d'Arts de Nantes, where it still hangs. [2] [3]