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editions, manuscripts, prints, Renaissance, Victoria: Prints and editions of Victoria, Morales, and some other Spanish composers. University of Málaga: A Traditional Music Library: folk music, sheet music: 60,000 Traditional and folk music from around the world. Includes downloadable PDF scores and MIDI backing tracks for many of the songs.
Giulio Clovio, Adoration of the Magi.Double page from the Book of Hours of Cardinal Farnese, 1537–1546, Pierpont Morgan Library, M.69 (fols. 38v-39).. Renaissance illumination refers to the production of illuminated manuscripts in Western Europe in the late 15th and 16th centuries, influenced by the representational techniques and motifs of Renaissance painting.
Woodcut booklet copy (around 1555) A possibly infringing [14] copy of I modi with crude illustrations created using woodcut relief printing is thought to copy the images of I modi that were in the Agostino Veneziano replacement copy of the work. [1] It is speculated that this woodcut booklet was created around 1555. [1]
An illuminated manuscript is a formally prepared document where the text is decorated with flourishes such as borders and miniature illustrations.Often used in the Roman Catholic Church for prayers and liturgical books such as psalters and courtly literature, the practice continued into secular texts from the 13th century onward and typically include proclamations, enrolled bills, laws ...
The manuscript found by Poggio is not extant, but fortunately, he sent the copy to his friend Niccolò de' Niccoli, who made a transcription in his renowned book hand (as Niccoli was the creator of italic script), which became the model for the more than fifty other copies circulating at the time. Poggio would later complain that Niccoli had ...
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John Carter Brown Library copy has parts 1-3 as Codex Sp 39; parts 4-7 as Codex Sp 40; and parts 8-12, with pts. 11-12 bound together, as Codex Sp 41 John Carter Brown Library copy has various loose pieces of paper, with locations from which they came, which were bound with the manuscript removed and housed in the JCB bibliographical file
A leading member of the Cádiz school, Joséf, followed very closely all the innovations that Francisco Sanguino had introduced, but with the additional development of doming the soundboard with the struts, an approach that later makers such as Jose Recio, Antonio de Torres, and Francisco Gonzales also adopted. [2]