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The Pink Floyd song "Hey You" from the album The Wall and the Kansas song "Dust in the Wind" [2] from their Point of Know Return album use this form of guitar tuning. In "Hey You", David Gilmour replaced the low E string with a second high E (not a 12-string set, low E's octave string) such that it was two octaves up.
Included in this four CD set is the entire March 28, 1972 performance plus selections from March 25, 1972 and March 27, 1972. The March 25 show (a semi-private party booked by the Hell's Angels and billed as "Jerry Garcia & Friends") featured Bo Diddley as a guest, whose performance, backed by the Grateful Dead, is included in Disc One. [3]
New standard tuning (NST) is an alternative tuning for the guitar that approximates all-fifths tuning.The guitar's strings are assigned the notes C2-G2-D3-A3-E4-G4 (from lowest to highest); the five lowest open strings are each tuned to an interval of a perfect fifth {(C,G),(G,D),(D,A),(A,E)}; the two highest strings are a minor third apart (E,G).
The predecessor of today's six-string classical guitar was the five-string baroque guitar tuned as the five high strings of a six-string guitar with the A raised one octave. High C – E-A-d-g-c' Standard tuning with the B tuned a half step higher to C to emulate a six-string bass guitar, minus the low B. This is an all fourths tuning.
[31] It was included in Wired magazine's unranked list of the "5 Audio Atrocities to Throw Down a Sonic Black Hole" [32] and placed first on Guitar Player ' s "10 Awful Albums by 10 Amazing Bands" list. [33] Chinese Democracy was ranked as the worst record of 2008 by several publications, including Time Out New York, Asbury Park Press and IGN.
[8] [9] While M3 tuning can use standard sets of guitar strings, [8] specialized string gauges have been recommended. [6] [10] The middle tunings are a compromise, each losing a note or two off both the top and the bottom of the range. For example, for six-string guitars, the M3 tuning: F ♯ 2–A ♯ 2–D3–F ♯ 3–A ♯ 3–D4
I-vi-ii-V turnaround in G [1] Play ⓘ. I-vi-ii-V turnaround with approach chords in G Play ⓘ. I-vi-ii-V turnaround in F Play ⓘ. Approach chords in F Play ⓘ. [2]In music, an approach chord (also chromatic approach chord and dominant approach chord) is a chord one half-step higher or lower than the goal, especially in the context of turnarounds and cycle-of-fourths progressions, for ...
"Oversimplistic punky approach which is a good example of clean US-Street-Punk. Goes down well from my point of view." (G.Beez, Gorilla Beat, 1981) [2] "Numbers and Colours and Ankle Deep in Mud are very good examples of what Get Smart! have to offer: original, simple, clean material and an energized, tight performance."
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