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His books include Orpheus in New Guises (a collection of writings from the period 1924–1953) [5] and Form and Performance (1962). [8] He was the editor of the first collection of Schoenberg's letters (Germany 1958; UK 1964). He was also instrumental in setting up the modern music periodical Tempo in 1939. [2]
ISBN 2-85184-223-4. OCLC 461989583. Les élégies de Duino = Duineser Elegien ; Les sonnets à Orphée = Die Sonette an Orpheus (in French). Translated by Angelloz, Joseph François. Paris: Flammarion. 1992. ISBN 2-08-070674-8. OCLC 708379594. Élégies de Duino (in French). Translated by Biemel, Rainier. Paris: Éditions Allia. 2015.
The Derveni papyrus is an Ancient Greek papyrus roll that was discovered in 1962 at the archaeological site of Derveni, near Thessaloniki, in Central Macedonia.A philosophical treatise, the text is an allegorical commentary on an Orphic poem, a theogony concerning the birth of the gods, produced in the circle of the philosopher Anaxagoras.
Online version at De Gruyter. Edmonds, Radcliffe G., Redefining Ancient Orphism: A Study in Greek Religion, Cambridge University Press, 2013. ISBN 978-1-107-03821-9. Graf, Fritz, and Sarah Iles Johnston, Ritual Texts for the Afterlife: Orpheus and the Bacchic Gold Tablets, Routledge, 2007. ISBN 978-0-415-41550-7.
The poem was lost, but in the fifteenth century it was found and copied in a manuscript (Codex Matritensis gr. 4562) by the Neoplatonic Greek scholar Constantine Lascaris, who is considered a Pythagorean Orpheus. [2] Another related work is the Lithica (describing the properties and symbolism of different stones).
Szent Orpheus breviáriuma (1973–1984). St. Orpheus Breviary: Vol. 1 (1973) contains the first four volumes of Black Orpheus Booklets (1. Marginalia on Casanova, 2. Black Renaissance, 3. Eszkoriál, and 4. Europa minor) Vol. 2 (1973) contains two more volumes of Black Orpheus Booklets (5. Cynthia, 6. Confession and Puppet Show) and 7.
The story is set in the 1930s, among a troupe of travelling performers. It combines skepticism about romance in general and the intensity of the relationship between Orpheus and Eurydice with an other-worldly mysticism. The result is a heavily ironic modern retelling of the classical Orpheus myth.
Roman mosaic of Orpheus, the mythical poet to whom the Orphic Hymns were attributed, from Palermo, 2nd century AD [30]. The collection's attribution to the mythical poet Orpheus is found in its title, "Orpheus to Musaeus", [31] which sits above the proem in the surviving manuscripts of the collection; [32] this proem, an address to the legendary poet Musaeus of Athens (a kind of address found ...