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The cuatro is a family of Latin American string instruments played in Colombia, Puerto Rico, Venezuela and other Latin American countries. It is derived from the Spanish guitar. Although some have viola-like shapes, most cuatros resemble a small to mid-sized classical guitar. In Puerto Rico and Venezuela, the cuatro is an ensemble instrument ...
The cuatro is a family of larger 4-stringed instruments derived from the cavaquinho that are popular in Latin-American countries in and around the Caribbean. Versions of the iconic Venezuelan cuatro are very similar to the Brazilian cavaquinho, with a neck laid level with the sound box , like a Portuguese cavaquinho.
It was made like a guitar and had four pairs of steel strings. It was used to play salon genres like the mazurka, danza, waltz, polka, etc. The ten string cuatro "moderno": This cuatro evolved from the Baroque era ten string bandurria and laúd from Spain. It is made from a single block of wood and it has five pairs of steel strings.
Tresillo is the rhythmic basis of many African and Afro-Cuban drum rhythms, as well as the ostinato bass tumbao in Cuban son-based musics, such as son montuno, mambo, salsa, and Latin jazz. [ 12 ] [ 13 ] The example below shows a tresillo-based tumbao from "Alza los pies Congo" by Septeto Habanero (1925).
However, the reciting tones of modes 3, 4, and 8 rose one step during the 10th and 11th centuries with 3 and 8 moving from B to C and that of 4 moving from G to A . [ 49 ] Kyrie "orbis factor", in mode 1 (Dorian) with B ♭ on scale-degree 6, descends from the reciting tone, A, to the final, D, and uses the subtonium (tone below the final).
Based on Cuban music in rhythm, tempo, bass line, riffs and instrumentation, Salsa represents an amalgamation of musical styles including rock, jazz, and other Latin American musical traditions. Modern salsa (as it became known worldwide) was forged in the pan-Latin melting pot of New York City in the late 1960s and early 1970s.
The rhythm guitar plays all of the offbeats, the exact pattern of the rhythm guitar in Cuban son. According to the Garland Encyclopedia of World Music , the lead guitar part "recalls the blue-tinged guitar solos heard in bluegrass and rockabilly music of the 1950s, with its characteristic insistence on the opposition of the major-third and ...
The rhythm is accelerated as the introduction ends; the fast paced "repique" done by the cajons, spoons and hand claps is also called the "Golpe de Tierra". The sweet, or dulce , is the intermedial and reaffirmation of the head singer many times sung right off a rhythm spin and sung by a chorus that cuts between the head singer.