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By the mid-1920s, O'Keeffe began making large-scale paintings of natural forms at close range, as if seen through a magnifying lens. [5] O'Keeffe learned modernist photography techniques, like close-cropping, from Paul Strand and others. [2] Strand was particularly influential in her development of cropped, close-up images.
The absence of women from the canon of Western art has been a subject of inquiry and reconsideration since the early 1970s. Linda Nochlin's influential 1971 essay, "Why Have There Been No Great Women Artists?", examined the social and institutional barriers that blocked most women from entering artistic professions throughout history, prompted a new focus on women artists, their art and ...
A women's hairstyle where different sections of the hair are cut at different lengths to give the impression of layers. Liberty spikes: Hair that is grown out long and spiked up usually with a gel Lob: A shoulder-length hairstyle for women, much like a long bob, hence the name. Mullet: Hair that is short in front and long in the back.
Her pieces embody women feeling pleasured by their bodies, which contradicts the traditional male gaze nudes of women previously. [75] Lucy Liu has created a collection, entitled 'SHUNGA,' a Japanese term meaning erotic art. [76] Liu's subject matter involves close up images of lesbian women, entwined within each other and bed sheets. [76]
The models' poses tended to be active: standing figures seem about to stir and even seated figures gesticulate dramatically. Close observation of the model's body was secondary to the rendering of his gesture, and many drawings - consistent with academic theory - seem to present a representative figure rather than a specific body or face.
To date, no portraits of women have been found. There is particular emphasis on the representation of the details of headdresses, hairstyles, body adornment and face painting. One of the best-known portraits in the Western world is Leonardo da Vinci 's painting titled Mona Lisa , which is a painting of Lisa del Giocondo .
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Historian Susan L. Smith defines the "power of woman" as "the representational practice of bringing together at least two, but usually more, well-known figures from the Bible, ancient history or romance to exemplify a cluster of interrelated themes that include the wiles of woman, the power of love and the trials of marriage. [6]
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