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This is a list of English poems over 1000 lines. This list includes poems that are generally identified as part of the long poem genre, being considerable in length, and with that length enhancing the poems' meaning or thematic weight. This alphabetical list is incomplete, as the label of long poem is selectively and inconsistently applied in ...
Its value as a representation of Old English literature as well as the quality of the poem, simply as a poem, is called into question. The end rhyming is unlike the alliterative Old English poetry, which is the basis for most scholarly criticism. Bartlett Whiting refers to the Rime as having "a lack of technical merit," referring to the sudden ...
According to Laura Lieber, the liturgical form most associated with Yannai is the qedushta, which embellishes the first 3 blessing of the Amidah (a part of the Jewish prayer service). [ 2 ] Although Yannai was renowned and influential during his time (he influenced the poet Eleazar ben Kalir ), by the Middle Ages , much of his poetry had ...
The poem received mixed reviews from critics, and Coleridge was once told by the publisher that most of the book's sales were to sailors who thought it was a naval songbook. Coleridge made several modifications to the poem over the years. In the second edition of Lyrical Ballads, published in 1800, he replaced many of the archaic words.
" To-day, from each and all, a breath of prayer—a pulse of thought," Leaves of Grass (Book XXXIV. Sands at Seventy) 1888, February 12 Adieu to a Soldier " Adieu O soldier," Leaves of Grass (Book XXI. Drum-Taps) ; The Patriotic Poems I (Poems of War) ; After the Dazzle of Day " After the Dazzle of Day" Leaves of Grass (Book XXXIV.
"Matthew, Mark, Luke and John", also known as the "Black Paternoster", is an English children's bedtime prayer and nursery rhyme. It has a Roud Folk Song Index number of 1704. It may have origins in ancient Babylonian prayers and was being used in a Christian version in late Medieval Germany.
The long poem thrived and gained new vitality in the hands of experimental Modernists in the early 1900s and has continued to evolve through the 21st century. The long poem has evolved into an umbrella term, encompassing many subgenres, including epic, verse novel, verse narrative, lyric sequence, lyric series, and collage/montage.
Ottava rima is a rhyming stanza form of Italian origin. Originally used for long poems on heroic themes, it later came to be popular in the writing of mock-heroic works. Its earliest known use is in the writings of Giovanni Boccaccio. The ottava rima stanza in English consists of eight iambic lines, usually iambic pentameters.