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Héliodore Pisan after Gustave Doré, "The Crucifixion", wood-engraving from La Grande Bible de Tours (1866). It depicts the situation described in Luke 23.. The illustrations for La Grande Bible de Tours are a series of 241 wood-engravings, designed by the French artist, printmaker, and illustrator Gustave Doré (1832–1883) for a new deluxe edition of the 1843 French translation of the ...
The account in Genesis naturally credits the Creation to the single figure of God, in Christian terms, God the Father. However the first person plural in Genesis 1:26 "And God said, Let us make man in our image, after our likeness", and New Testament references to Christ as Creator (John 1:3, Colossians 1:15) led Early Christian writers to ...
The Creation of Adam (Italian: Creazione di Adamo), also known as The Creation of Man, [2]: plate 54 is a fresco painting by Italian artist Michelangelo, which forms part of the Sistine Chapel's ceiling, painted c. 1508 –1512. [3]
The Illustrations also gained critical acknowledgment after Blake's death more quickly than his prophetic books. As early as 1857 John Ruskin wrote of Blake in The Elements of Drawing that The Book of Job , engraved by himself, is of the highest rank in certain characters of imagination and expression; in the mode of obtaining certain effects ...
The parable of drawing in the net, also known as the parable of the dragnet, is a Christian parable that appears in the Gospel of Matthew, chapter 13, verses 47–52. [1] The parable refers to the Last Judgment. [2] This parable is the seventh and last in Matthew 13, which began with the parable of the Sower. [3]
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But when the pagan Celsus ridiculed the Christian religion for having an ugly God in about 180, Origen (d. 248) cited Psalm 45:3: "Gird thy sword upon thy thigh, mighty one, with thy beauty and fairness" [27] Later the emphasis of leading Christian thinkers changed; Jerome (d. 420) and Augustine of Hippo (d. 430) argued that Jesus must have ...