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"Treceți, batalioane române, Carpații" (transl. "Cross, Romanian battalions, the Carpathians") is a Romanian patriotic song.It is thought to have been composed in 1916, shortly before Romania's entry into World War I, although its first historical apparition occurred in February 1919, when members of the Romanian Legion of Transylvanian–Bukovinian Volunteers were recorded singing a ...
Fie la paradă, fie la război, Toți în rând grămadă, veseli mergem noi! Drum bun, drum bun, toba bate, drum bun, bravi români, ura! Cu sacul legat în spate, cu armele-n mâini, ura! Steagul să lucească, steagul, pentru el trăim, Țara să-nflorească, țara, pentru ea murim, drum bun!
"Cântă cucu-n Bucovina" or "Cântă cucu în Bucovina" (transl. 'Sings the Cuckoo in Bukovina') is a Romanian folk song, more precisely a doină, composed in 1904 by Constantin Mandicevschi [de; ru; uk]. The lyrics are original, while the melody is a modified Bukovinian mourning song.
the immolation for the creation; the erotic myth (the myth illustrates how girls at puberty long for the unknown feeling of love, which comes unexpectedly and makes them feel something very deep and spontaneous)
Suntem săraci și plini de-amar, Plânsu' nostru-i în zadar, Doamne, ocrotește-i pe români. Săracă țară bogată, Mult ai trăit supărată, Doamne, ocrotește-i pe români. Ne-o umplut amarul crud, Plânsul nostru-i tot mai surd, Doamne, ocrotește-i pe români. Transilvania mea sfântă, De mult ai fost tu râvnită, Doamne, ocrotește ...
Ciocârlia (meaning the skylark) is a Romanian tune, allegedly composed by the Romani-Romanian pan flute player Angheluş Dinicu [1] [2] in the virtuosic style of the urban lăutarească music from late 19th century.
In 1946, the English lyrics were written by Harold Barlow and Phil Brito who had their popular recording hit the charts in May 1946 under the title of "Mama". British singer David Whitfield also had a hit with the song, which reached number 12 in the UK Singles Chart in 1955 . [ 6 ]
Later came the soca hits "Endless Vibrations" and "Sweet Music" by Lord Shorty, recorded in 1974 and 1975 respectively, and "Second Fiddle" by Ella Andall, recorded in 1975. In 1976, "Savage" by Maestro and "Trinidad Boogie" by Last Supper (composed by Robin Imamshah) also benefited from the improving multi-track recording technology at KH Studios.