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Half-Caste" is a poem by Guyanese poet John Agard that looks at people's ideas and usage of the term "half-caste", a derogatory term for people of multiracial descent. The poem is included within Agard's 2005 collection of the same name, in which he explores a range of issues affecting black and mixed-race identity in the UK.
His poems "Half Caste" and "Checking Out Me History" have been featured in the Edexcel and AQA English GCSE anthologies respectively, meaning that many students (aged 13–16) have studied his work for their GCSE English qualifications. [9]
The 2004 AQA Anthology was a collection of poems and short texts. The anthology was split into several sections covering poems from other cultures, the poetry of Seamus Heaney, [4] Gillian Clarke, Carol Ann Duffy and Simon Armitage, and a bank of pre-1914 poems. There was also a section of prose pieces, which could have been studied in schools ...
An 1870 illustration by David Bonwick titled Last of the Tasmanians Woodcut 12 - with the description -- Walter George Arthur with his half-caste wife Mary Anne. Half-caste is a term used for individuals of multiracial descent. [1] The word caste is borrowed from the Portuguese or Spanish word casta, meaning race.
Half-caste are people of mixed ethnicity. Half Caste may also refer to: Half Caste (horse), the winner of the 1859 Grand National Steeplechase "Half Caste" (poem), a poem by John Agard; Half-Caste, a 2004 horror film; Half-Caste Act 1886 (title in Victoria), or Aborigines Protection Act 1886 (title in Western Australia)
Someone has suggested that 'half caste' and 'half-caste' articles be merged. I don't know of any examples where the absence or presence of the hyphen makes a difference to the way the term was/is used, or changes its context, so I think that they should be merged. Any thoughts? Brucehassan 14:50, 12 November 2005 (UTC)
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The Bulletin said Baume "tells vividly and clearly, often poignantly, the problems that beset the half-caste Maori girl who is highly educated but is without money or social background." [3] The Australian Woman's Mirror called it "a frankly realistic and in parts savagely critical piece of writing." [4]