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The ghazal was a hit with the audience and Majrooh decided to drop his fledgling medical practice and began writing poetry seriously. Soon he was a 'regular' at mushairas and a " shagird " i.e. disciple of the then top name in Urdu Mushairas viz Jigar Moradabadi .
As much as we may want—or need—to write a love poem, it’s often difficult to find a language that adequately expresses the way we feel. For one thing, it’s hard to strike the right tone.
The film depicts an episode in the life of famous poet Mirza Ghalib during the last Mogul King, Bahadur Shah Zafar's times. The story revolves around the love and admiration of Moti Begum, (named "Chaudhvin"(moon-faced) by Mirza Ghalib), played by Suraiya, for Mirza Ghalib, played by Bharat Bhushan, and its end in the tragic death of 'Chadhvin' (Suraiya).
Doha (Urdu: دوہا, Hindi: दोहा, Punjabi: ਦੋਹਾ) is a form of self-contained rhyming couplet in poetry composed in Mātrika metre. This genre of poetry first became common in Apabhraṃśa and was commonly used in Hindustani language poetry. [1] Among the most famous dohas are those of Sarahpa, Kabir, Mirabai, Rahim, Tulsidas ...
Hasya Kavita is humorous comic poetry in Hindi. It is particularly famous due to Hindi Kavi sammelans and TV shows. [17] [18] [19] Bal kavita is children's rhymes in Hindi. [20] Many attempts have been made to document Hindi poetry. Some of the most comprehensive online collections for Hindi poetry include Kavitakosh [21] and Kavita. [22]
Doha is a very old "verse-format" of Indian poetry.It is an independent verse, a couplet, the meaning of which is complete in itself. [1] As regards its origin, Hermann Jacobi had suggested that the origin of doha can be traced to the Greek Hexametre, that it is an amalgam of two hexametres in one line.
Shailendra started his career as an apprentice with Indian Railways in Matunga workshop, Mumbai in 1947. He started writing poetry during these days. The filmmaker Raj Kapoor noticed Shailendra, when the latter was reading out his poem Jalta hai Punjab at a mushaira (poetic symposium). [16]
After writing for a few movies from 1958 onwards, he first found success in 1962 with Mehendi Lagi Mere Haath (1962 film), music by Kalyanji-Anandji, with Raj Kapoor as producer. [5] Bakshi later made another mark for himself writing a qawwali for the 1962 film Kala Samundar , the song was "Meri Tasveer Lekar Kya Karoge Tum" composed by N. Datta .